CRITICISM – Yorgos Lanthimos’ Kinds of Kindness: What Do I Think of Le Masque & la Plume?

There is also a drawing on the poster. Willem Dafoewhich took place as part of the “Pauvres créatures” casting. Chakun does not play more than three characters, and the film consists of three different stories. For example, Jesse Plemons This is a follow-up and suspicious film that involves a woman and a girl from a cult.

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Yorgos Lanthimos’ Cinema Supports Muriel Jude

Criticism is pouring in Le Monde to watch Mal to understand that he clarified the Greek cinema, and to expand his global movement so that he could enjoy a malin before the spectator for the Russians: “I watch the impression that we do not understand the history of This is a super-sized atrophy of the ego. The format in this long film lasting 2 hours and 45 minutes. On three films, three long ones with restarts at the same time. The effects of external signs of auteur cinema, which can intimidate some viewers, more than anything else, for me, is intimidating.”

Christophe Bourseille is in a great mood

Criticism and the possibility of a cinematic force that I’ve been forced to follow: “In these three stories I witnessed how, at the premiere, at the horrific enterprise of a patron-sur-employee. This film, it’s surtout” A triptych about the madness of humanity. This film is important in its break with correct politics, with moralizing sermons.

The Film That Died and Lost Ariane Allard

Even though it makes Yoorgos Lanthimos’s cinema clients happy, it is worth noting that his film “Science Fiction” is a totalitarian, journalistic film for L’Obs a trouvé celui-ci très décevant: “Déjà, in the manner of a film in sketches, he faced a risk that it would force itself. the feelings of Emma Stone and others in a special performance that I unbearably saw in reality, at a time when I was not delighted. être qu’étrange, rebellious and unhealthy, he did not make money from the outside that de us ennuyer.”

Nicolas Schaller is the one who loves cash in this film

It is the result of a cinematic experience that involves stimulation, the criticism of L’Obs sometimes you sign with your own eyes, the film is the most loud and the most vanity: “The film is so bright, I don’t want to tell you anything that we want to do, but I’m afraid. I dream about it and the idea of ​​playing a massacre among us, passing and in the era, but this is another moment when I can not avoid the minimum understanding of what is happening on the screen and in decoding, perhaps it will happen. this thought, the question of free arbitration, of the soul, most of all the film resembles a retrospective with actors who amuse people among us, what I enjoy, je le cherche encore.”

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