“Je ne lui arrive pas à la cheville”: François Civil, sa, will submit a statement to Adele Exarchopoulos
Published September 16, 2024 at 6:38 am
“Je ne lui arrive pas à la cheville”: François Civil, sa, will submit a statement to Adele Exarchopoulos – © Castel Franck/ABACA
François Civil and Adele Exarchopoulos are part of the poster for Gilles Lellouche’s latest film, L’amour ouf. Face to face in an interview for Madame Figaro, ils ne cacent pas leur admiration mutuelle.
Mythical duet deja. An ensemble of typefaces by François Civil and Adele Exarchopoulos graces the cover of the latest issue of Madame Figaro, which hits newsstands on sale on September 13th. Accomplices, this is in the frame of the promotion of the film “L’amour ouf” qu’ils sont prêtés au jeu de affives.
This is not a premiere for this duo to shine on the big screen. Adele Exarchopoulos and François Civil present the next ensemble in Bac Nord, the premiere audiovisual project of Gilles Lellouche. Ce dernier a alors refait confiance à ces deux acteurs pour son nouveau long-métrage: “L’amour ouf.” François Civil explains in the play Madame Figaro: “I was thinking about the pendant “L’amour ouf” le Tournage de “Bac Nord”, en nous voyant jouer. Adele and my gut instinct and we are completely involved in our projects. “Avant de poursuivre en Soulignant le Talent de Sa coactrice: “Mais je ne lui arrà pas à la cheville: c’est l’une de nos grandes actresses. »
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Mutual admiration
Confronted with her young binoculars, Adele Exarchopoulos returns to Madame Figaro and feels confident in her joy of camaraderie. The actress turns to François Civil and dévoile: “Moi, ce qui m’impressionne, c’est que tu ne te reviewes jamais, tu n’abandonnes jamais ton partenaire. It’s calming. » Facilitation of the game, which explains the friend and experience gained in front of the camera. Elle poursuit cet entretien en déclarant: “Avoir joué dans “Bac Nord”, do not leave the white page, and this is an excerpt from Gilles’ film: incarner l’amour est un exercice délicat, vertigineux. In the event, l’enjeu était de Taille: “L’amour ouf” is a film that does not envy purpose and purpose. »