Anne Hathaway (Le diable s’habille en Prada) soutiendrait le mouvement de grève chez Condé Nast
Alors que les journalists and salaries of Condé Nast (Vogue, Vanity Fair, GQ, Glamor, etc.) in sadness, the heroine of the film “Le diable s’habille en Prada”, Anne Hathaway, a girl shooting for Vanity Fair, the property of the group.
They are immediately sent out for interpretation and rebroadcast for the international press as aid to the demonstrators. Cela qui ne veut pas dire, à l’heure où FashionUnited publie, qu’elle a rejoint la manifestation, ni qu’elle a eu des mots pour les travailleurs, mais cela suffit pour faire la une des Magazines et mediatiser le mouvement de grève which will touch on the image of an impeccable car created as part of a great edition.
A little flashback: the end of Mars, 2022, 400 Condé Nast employees form a syndicate and post on Instagram lifestyle and technology, but what rewards our implementations the most is job insecurity and lack of social benefits. We sometimes become attached to work so as not to avoid anything special. We demand from Condé Nast de reconnaître fastement et volontairement notre syndicat afin que nous puissions nous atteler à la tâche: I will build a better Condé for everyone. »
Slogan: “Le Diable s’habille en Prada. They get hired for nothing”
More than five months later, Condé Union officially scouts that syndicate. This is the debut of a new chapter: negotiating labor conditions. And this is the debate in our lives. Prime example: at the end of December 2022, the union recruits its contract workers. Condé Nast’s reaction, saying that decrete pas les syndices, est la suivante: “This week our avons report that certain numbers of our expensive labor contracts (qui Font le MÊME travail que le Staff à temps plein) ont été licenciés Slightly before the date, but after that the information becomes suitable for the syndicate. Il s’agit d’une Flagrante a violation of trade union rights and we have no tolerance for it.
Later date, end of 2023, the relationship between the patrons represented by Roger Lynch, CEO of Condé Nast, Anna Wintour, famous editor of Chef du Vogue, or Cameron Bruce encore, responsible for the discussions, and more than 500 syndics, Font Froid dans les dos à l’heure or fashion outside the genre. Additional information: “À l’approche des fêtes de fin d’année, il est décevant de voir notre Direction Fournir des listes de licenciements qui laisseraient des équipes Composées uniquement d’hommes blancs cis (du même genre que celui que l’on s ‘ is an attribute of birth, NDLR) and imposes exhausting labor on those not listed. »
Today Anne Ataway is shooting for Vanity Fair (Condé Nast group). The dressing room has disappeared. They are sent as a relay and interpreter for the international press as support for revenge. The symbol is strong: the car, symbolizing peace, resembles the son of Andy Sachs, an employee opposed to the tyrannical boss Miranda Priestly, a character in the film interpreting the novel by Lauren Weisberger, Anna Wintour’s former assistant.
Slogan: “The devil met the black moons when you saw them”
Moreover, when Vogue headlined “If Andy Sachs avait poursuivi sa carrière dans le Film Le diable s’habille en Prada, voici la robe qu’elle aurait portée,” the syndicate responded: “If Runway avait eu un Syndicat, le Film aurait duré trente “seconds”. Today, Condé Nast’s decision to license 5% of its workforce remains. According to the New York Times, these cuts affect 270 people (300 people in the syndicate) among the 5,400 temporary employees who make up the group worldwide.
“Licenses will be issued on a pro-chain basis and the business will take a number of other actions, including reducing office space and eliminating open positions, to reduce costs and invest in the strategic business,” Roger Lynch said in a note to employees. Note that Vogue France, published under the control of Anna Wintour, left the names of the restructuring aimed at reducing prices. Today is the time to claim fashion, which is supported by the organizer of Vogue World in Paris.