Bettina Reims is the guest of Cultural Affairs

Photograph du troublé et de la transgression, Bettina Reims a vu defiler des sentens de femmes devant son objectif depuis ses debus en 1978. Ques soint celebres ou anonymes, stars ou détenues, mannequins ou travailés du sex, touts luis ont confi un bout de leur image, dont bettina rimes à su reveller lambiguet. Subversive and glamour, trash and sophistication, these images draw on icons and cels of the profession pioneered by Robert Mapplethorpe, Irving Penn or Helmut Newton. One difference is that Bettina Rimes is a woman, which is rare in a profession in keeping with the masculine style of the 1980s and 1990s, she came out through photography as a beautiful woman. Perfois accused him of conforming to objectification, Avoiding the Photograph: Exit Fetishization, Sess Photographies Understand What You Think About Your Models, while Bettina Reims inferred collusion. Meanwhile, there is a singularity that unites Kim Harlow, a transgender woman, danseuse and menu de revue de cabaret, that a premiere was photographed for the series. modern lover (1989–1990), Avant de la retrouver devant son objective pour la série les espionages (1991–1992) on transidentity, and finally to general photographic projects kim, I published in 1994 with a text by Kim Harlow. A group that explores the question of genre, exploring an Institut de Photographie de Lille during the exhibition « Bettina Rimes – Kim Harlow, Song », on December 24, until the occasion of the Institute for Photography and Editions Delpire & ‘Uvrej’ was co-published by the company. Find the first plan with photos.

Bettina Rhimes, Kim Harlow, Un jeune homme, January 1991, Paris
Bettina Rhimes, Kim Harlow, Un jeune homme, January 1991, Paris

– Bettina Reims, Kim Harlow, Courtesy of Jebettina Reims, Fonds de l’Institut pour la Photographie, 2023

The Heure Du Documentary

Bettina Rimes, Kim dans Le Miroir de la Salle de Bains II, January 1991, Paris
Bettina Rimes, Kim dans Le Miroir de la Salle de Bains II, January 1991, Paris

– © Bettina Reims, courtesy of the Fonds de l’Institut pour la Photographie, 2023

les nuits de france culture

Bettina Rhimes, Kim in Female Fatale II, January 1991, Paris
Bettina Rhimes, Kim in Female Fatale II, January 1991, Paris

– Bettina Reims, Courtesy of the Fonds de l’Institut pour la Photographie, 2023

sans ausser le demander

Plus d’information sur ses reality:

  • The exhibition « Bettina Rimes – Kim Harlow, Recits » to visit the Institut pour la Photographie de Lille (3 November – 24 December)
  • le troisième License De l’Institut pour la Photographie, co-edited with Delpire & Co., dedicated to Bettina Reims on the occasion of the exhibition Kim Harlow, singingPresented by the institute on 24 December. It is available in libraries after November 2.
  • In partnership with the institute, the podcast of Brigitte Patient, author of the photo, was realized, echooutes voir, will be dedicated to Bettina Reims. Il Sortira debuts December.
  • Acquisition of a masterclass dedicated to photography, an Institute for Photography in Cadre d’Entres with Paul Martineau, J. Avid patrons of photographs, Serra Mis en Ligne opened in December at the Paul Getty Museum, Los Angeles.

The Son du Jour:

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