EMILIA PEREZ | Review of the film by Jacques Audiard
Highly skilled and confident in exploitation, Rita uses her talents as a lawyer in the service of a large office, and also helps clean up criminals who serve justice. But the unexpected attack on her helped the cartel chief Manitas, who resigned and implemented a plan that was conceived in the secret of the anniversary: to make a woman who would miss the world.
Movie review
At the heart of the festival are our evenings with attention to the effect of surprise. We reflect on what happens in the notre siege and the décolleté notre siege, and we hope that we will not be able to return to the entire suite. Jacques Audiard was responsible for being part of a film industry that could not be a cataloger of genre interiors, creating curiosities in the style of the new long meter. After the American Western (Forest Brothers Sisters2018) and Paris drama (Olympics2021), he votes for his contribution to the musical comedy in Spanish.
The border between genres and new ones is the fairest question in this matter. Emilia Perez. A brilliant defender of causes contrary to her beliefs – she does it, in this scene, defending the man living in the company – Rita is kidnapped by a pair of top men from Manitas del Monte, a dangerous chef of the Mexican cartel. La raison pour laquelle ce baron de la drogue la fait comer dans son antre, which is similar to un no man’s land without identity, it is the only machine that is the judge. Rita did the best surgery and organized an operation that she thought was night and day: to improve the physique of the woman she had today.
This summary is the place where a new absolute feeling is created, which Jacques Audiard brought to life in an episode from the scenes of this spectacle created without birth. Telling a genre-bending story with a constant form of inventiveness, such as in moments of song or conversation, is the magic of musical comedy without any genre inconsistency. The figures are transformed into dancers, banal dialogues are separated from choruses, the scenery is transformed by choreography and murs repussés, so that the corps invests in new spaces. The mise-en-scène is characterized by enormous fluidity, étourdissante and vivante. The courageous and mature figure of the merchant found himself in contrast to all the clichés of the film cartel. Lorskill met the singer, the son of a desperate man, in élégie sidélante. It is very important to understand that this impression of jamais-vu did not remain with us.
In the last part of the film, after an ellipse during the process of turning Manitas into Emilia Perez, Rita returns to a new mission. The handyman cannot convey death to everyone, not just the family, Rita is the second person in the cell phone that contains Emilia. Elle est le dernier lien avec son passé and this party d’elle-même, qui demeure malgré tout quelquelquelque part en elle. After the great retro grape scene in the restaurant, there’s another authentic émouvante plus that doesn’t go overboard. Emilia introduces herself as a member of the family and is mistaken for the woman and children, who ignore the identity of her son. Alors qu’elle étreint les Temples, sa sense d’etre en me temps si loin et si proche d’eux bouleverse.
He may be a thinker Annette (Leos Carax, 2021), another musical comedy from a French film, which deals with male violence and interrogation le père à travers les yeux de l’enfance. Ici, lorsque la Girl d’Emilia dit qu’elle lui Rappelle l’odeur de son Géniteur, la puissance du not-dit atteint un véritable moment de grâce, l’amour étant, capable of transcending all boundaries.
Emilia Perez charming ainsi par ses tableaux musicaux autant que par l’accès Offert à l’inériorité des personnages, advertise the issue of the return of the exile. Toutes et tous benéficient insi de la possibilité de se reinventer aussi souvent que la mise en scène. Selena Gomez and Zoe Saldana are impressively charismatic, and Carla Sofia Gascon is a revelation., the embodiment of the hands of Manitas and Emilia. Lorsk-la-neyshy scene, gone to the place in the ancestral place, envy us in the country: immediately resume this fabulous journey.
August 28, 2024 – Jacques AudiardSincerely Carla Sofia Gascon, Zoe Saldana, Selena Gomez
Cannes 2024 – Competition