Film review – MEMORY – Abus de Ciné
Sylvia gave up after 13 years of attending Alcoholics Anonymous (AA) meetings. Elle travaille dans l’aide Social, dans un foyer pour déficient, one girl, and it all seems like a return to balance. Lors d’une reunion d’anciens elèves, elle est abordée par Saul, qui la suite jusqu’à chez elle et reste planté devant son appartement sous la pluie. Recovered from the son of his brother and niece, fainting is a fact that he survived Alzheimer’s disease, when the daughter is obliged to become disorientated, bringing the coal miner, with an urgent measure due to his death or his death. Also for Sylvia, problems with the memory of the mobile phone, in a possible receiver to cause pass dulore…
After two films were awarded, all two were submitted to competition in Venice (“New order“, Grand Prix for a portrait of the son of a rich family, a prize in the Otag, etc. “sunset“, with Tim Roth, portrait of a man with his family), Mexican artist Michel Franco nous revient with”Memory“, a film that values the Prize for Male Interpretation of Peter Sarsgaard for winning Venice 2023. The long meter poses very quickly the question of the reliability of memory l’un comme pour l’autre.
Michel Franco established the emblem of the permanence of man, as the essence of the existence of Sylvia (Jessica Chastain, impressive in a combination of children’s clothes and body), with the number of earrings in the port, the presence of anxiety sophisticated, or the son unable to apply for parole, to the unconscious person who board. And this scenario accelerates the frontal manipulations due to these injuries, the passive character of Saul (Peter Sarsgaard, touching) becomes permanent in the pose of the words on the soul, but most of all reveals the meme in the impossible day. Questionnaire is the value of memory, modified phrase, it is also le doute qui s’installe, author of this character, se laissant approcher par un manme que la badie maintient lui dans son passé, alors qu’il est incapable de I imagine the future.
Between the traumas that it stores and the recent erased souvenirs for the autre, it is dons logicalment in the present, author of the award soin l’un de l’autre, qu’ils vont pouvoir Dialoger. Gradually, the characters, going beyond the trajectories, croissant from the point of view of dignity and freedom, benefit the child, bouleversent, exprimant the crintes d’une mère pour la sécurité de sa childe (a magnificent scene in a restaurant…), tenresse d’une niece for a son, an uncle who shoots peu à peu, it is difficult to avoid or accept emotional gestures because it is impossible to confront the matter. Enrobée dans les mélodies de “Whiter shade of pallorThe conclusion of Procol Harum allows us to remove the two main characters – Serre Gorge.
Olivier BachelardSend a message to the editor