Is Beyoncé really a feminist?

The Ecole Normale Supérieure is launching a series of conferences devoted to Beyoncé. The “Beyoncé: Shades of a Cultural Icon” seminar opened on Thursday, November 24. According to the ENS press release, it will be “to understand the issues raised by the artistic orientation of the singer, both in the history of art, contemporary literature, the history of thought and philosophy”.

With :

  • Keivan Djavadzadeh : lecturer in information and communication sciences at the UFR Culture and communication at the University of Paris VIII
  • Audrey Celestine: lecturer in political sociology and American studies at the University of Lille


  • Audrey Celestine, Lives of battleThe Iconoclast, 2019
  • Audrey Celestine, The factory of identities: The political framework of Caribbean minorities in Paris and New York, Karthala editions, 2018
  • Audrey Célestine, A French family, textual editions, 2018
  • Keivan Djavadzadeh, “ The Beyoncé Wars : the Black feminism Beyoncé and hip-hop feminism”, review the time of the media
  • Keivan Djavadzadeh, Hot, Cool & Vicious. Gender, race and sexuality in American rap, Amsterdam editions, 2021

Broadcast sounds:

  • Beyoncé, “Crazy in love” feat. Jay-Z, in the album Dangerously in love (2003)
  • Beyoncé sings the US anthem at the inauguration of Barack Obama, January 21, 2013
  • Beyoncé, “Flawless”, in the album Beyonce (2013)
  • Excerpt from the speech “We should all be feminists” by Nigerian feminist and novelist Chimamanda Ngozi Adichie
  • Bell Hooks, debate at the New School in New York, May 6, 2014
  • Beyoncé, “Formation”, in the album Lemonade (2016)
  • Jacques Serrano, definition of pop philosophy, archive of July 16, 2008, Marsactu
  • Beyoncé, “Alien Superstar”, in the album Renaissance (2022)

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