Let the soap opera not “splash” us – Juventud Rebelde

Heartbreak returns to set a trend in the cultural industry. Once again success is made in music. It is a formidable source to draw crowds. Now him leitmotiv they are Shakira and Piqué and, practically, the rest of the world stands at their feet for a hackneyed and predictable narrative.

Only the innocent were amazed that sessions #53, by Gonzalo Julián Conde, Argentine composer and producer known as Bizarrap, together with the successful Colombian, has raised a stratospheric media noise. First, because since the first-born declaration of the couple’s birth, after their first flirtations during the 2010 Soccer World Cup in South Africa, their story in the style of classic fairy tales went viral.

Zero setbacks, a young woman capable of crossing the ocean to accompany her beloved, children born at the ideal moment of the relationship, success, questioning whether motherhood ends the professional career to be the best mother, money, campaigns to support the underprivileged… Nothing and everything: the ideal world of two heteronormative beautiful blondes that sells and traps forever and ever.

The second. It comes to us in the voice of a woman. As an artist, she has as a way of expression to give us her feelings towards music. Her affective bonds with her loved one have been part of (our) soundtrack of her for a long time: Crazy (2010), in which he declares his passion for “his tiger”, and I will give (La, La, La), and 23(2014), a trilogy to recount the growth of a couple with a ten-year age difference.

For 2017 he returns to the fray with three other songs: the bike, I fell in love Y Tons. Each one is a public declaration of his passion for the former soccer player and Spanish businessman. Until the speech is twisted to tell us that the ideal love fell on deaf ears. I congratulate you (2022) announces that the rupture has arrived, clearly confessed in Monotony (2022). So, Sessions #53 it becomes the last cry of relief.

Each song has been endorsed by the media. Speeches legitimizing stereotypes and patriarchal roles: “I met the love of my life”, “I present to you my sun”, “revenge success”, are some of the phrases that put the public magnifying glass on that voice that, because it is feminine, has values news in a society where machismo still dominates. Little or nothing has been said about the breakups and their musical confessions by Marcos Antonio Solís, Ed Sheeran, Bruno Mars and even the controversial Bad Bunny.

But Shakira, the social construct of the patriarchy, also falls into its traps. Her current hit does not claim the woman. Quite the opposite. It shows us toxic, arrogant, rivals among us for the opposite sex, dependent on love relationships, flirting with the new partner, calculators looking to extract every penny after a breakup as “obligatory payment” for the laceration… Of course! ! She knows that it sells and much more if she joins one of the most popular DJs of the moment. There is no doubt, the theme was well thought out. Sessions #53 It has everything to be the starting media bomb of 2023 on all platforms.

And it will be until another narrative arrives with any of the historical formulas, always with well-known, successful and beautiful protagonists: heartbreak, desire, sex, debts, passions… Situations from which no one escapes and that everyone has the right to experience. his way, without question. More, convinced that the personal when made public becomes political.

Therefore, it will always be important to meditate on how we build our stories, how and where we communicate them, how we coexist in a world of love and heartbreak, betrayal and loyalty, questioning and support, of hegemonic machismo…

Being clear about it is the only way to consciously accept or not consciously form part of those multiple narratives that have been so long-lived they become an obvious soap opera.

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