May December: Natalie Portman and Julianne Moore’s acting lesson (criticism)

Todd Haynes’ captivating film is coming to Canal+.

If it doesn’t pass the encore commentary, the film will soon be re-released. Rejection of Joaquin Phoenix’s Art Nouveau filmwhich is available to fans of gay tours, romantic novels, explicit sexual behavior, se déroulant aux Etats-Unis dans les années 1930, Todd Haynes was honored at this Mardy evening on Canal +. The encrypted chain program at 9:10 p.m., also played for subscribers, May Decemberport paired with two great comedies: Natalie Portman and Julianne Moore.

They told him. Todd Haynes I like actresses… who acted well. Additional cats Julianne Moore (with those who cooperate with the rules depuis Safe voila deja after 30 years), Natalie Portman join the impressive list (Cate Blanchett, Rooney Mara, Michelle Williams, Kate Winslet, Anne Hathaway…) of cells that you’ve directed on the big and small screen. And this time, inspired by a novel by math teacher Mary Kay Letourneau (who published the chronicle in the late ’90s), she organized a head-to-head, duet/duel between the couple Elizabeth, an actress preparing herself for the tour of the next film and other films “Gracie, the Woman Who will be embodied in the screen”, from “années plus tot” is a love story with a 13-year-old teenager (then they get married, and the father of their children’s teachers) lui a valu un sejour en Prison.

Cinéaste des Mélos Déchirants Mais Enveloppants, Haynes Signe Avec May December A film that intertwines with your habits, in an atmosphere of sarcasm and reality. Tant Elisabeth, souvent faussement mielleuse, in quête de verité pour son role semble prendre un plaisir pervers à mettre à Mal, à chacune de s ses faussement of the innocents, l’harmonie familiale Brandie en étendard par Gracie comme pour s’auto-convaincre que son Histoire d’amour is more beautiful, stronger and more solid than all the others, in dépit (ou favor?) des obstacles mis sur son chemin.

Aucun personnage n’est ici à sauver, trop petitement machiaveliques pour accéder à une quelconque grandeur or trop bas de plafond pour ne suciter autre, chose que de la Pitié. Are you a cat? Affreux, sales and craftsmen – in ultra-police mode – in this plonge and about Elizabeth’s troubles when she gets close to Maria Gracie, just a fight scene plus a sensual clinic, a symbol of this atmosphere, a calm atmosphere created with the help of light by Christopher Blauvelt – aux antipodes from the beautiful form of the son during childbirth First cow Kelly Reichardt – in order to collect all the tabloids that do not recognize Gracie as a fait accompli.

Ce parti pris, this style effect that gives a large number of places (the use of zoom, this idea of ​​a camera that gives a beam to view images…) creates a distance between these characters and limits the capacity of this film in itself to the unfolding of emotions. More musical additions to the theme created by Michel Legrand. Messenger de Losy (Palme d’Or 71) – Portable music with the irony of laughter – Natalie Portman and Julianne Moore s’y déploient, elles, avec une puissance, une sophistication and une intensité inouïes. Game lesson, first or last plan.

Bande announcement May December :