Memory (2023), film by Michel Franco | Premiere.fr

In a movie like a puzzle, there is no final image of the discovery of unattended pieces. The film, rich in surprises, without any simple things like its Indian title, is the author’s variation of the default memory. When you meet Sylvie, a woman with a water flower, do not perceive the kiss of an everyday structure that creates an autour de son travail, de sa fille et de ses Réunions avec les Alcooliques pour ne pas rechuter. But sable grain is faire tout dérayer. The reunion of the ancient son of the Lyceum or her tiny intelligence in Saul and his comrades who were sexually aggressive. Saul qui, ce soir-là, va la suivre, fell asleep in his son’s apartment and did not become a plus in the memory of the trip in the morning, caused by a degenerative disease that went into memory. Sylvie will understand that the memory of her is still alive and the tours that will meet again will never happen again in her life, but she will have the courage to confront them and wait to look back on the love that will protect them all their lives. eux-mêmes, mère Sylvie and frère Saul, sentenced to eternal emotional prison. Avec ce mélo bouleversant, Franco protected the armor as a yame. But then when you change the fur and measure the point of view of these people, it creates a climate of tension and instability that occurs in all the darkness. And if Peter Sarsgaard reveals the interpretation award in Venice, Jessica Chastain’s disunity can’t be made as impressive as Louis’.