Nora Fingscheidt • The Outrun Realist

01/24/2024 – A German realist who talks about the pain of adaptation when it comes to a new film and collaboration with actress Saoirse Ronan.

(© Sundance Institute/Philip Leitert)

As women, we feel like parfaits, plus the fact that we are individuals in general, most of all what we save is the empathy we feel for others and our memes. Outran (+also read:
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interview: Nora Fingscheidt
movie file)adaptation nominal Nora Fingscheidt memoriesAmy Liptrot, hand over to the brow. Dressed as Rhona, have fun Saoirse Ronan, author of his 30-year-old works “Alors qu’elle essaie encore de guérir après un passé difficile, dans les iles Orcades, en Écosse”. We needed a case for an interviewer implementing a new film, and this was a collaboration with Ronan, which was done in Australia with the premieres of this film, as a producer. The film was shown at the Sundance Film Festival in the Premieres section.

Cinema “Femma”: You can talk to us about your onboarding work and collaboration with us. Amy (Liptrot) and also Saoirse (Ronan)?
Nora Fingscheidt: We worked together three years ago, until the very end. I read the essence of my vision for the film after reading the book, it seems that the book is very difficult to adapt: ​​il décrit des chooses très interiores, like intime magazine. Il a la qualité d’être dans sa tête, it is a souvenir from what has already passed. Here also dans sa tête tandis qu’elle watch the choice, digère ce qu’elle a vécu, et tente de renouer avec cet endroit qu’elle avait voulu fuer. Soon he bursts and arrives at chemin de guérison. Je suis dit que nous avions besoin d’ajouter un level dans le recit qui represente la vie interior d’Amy, car elle est très riche, pleine d’associations d’idees géniales et de poésie.

I love this approach. I demand that you can find a new name for this character, to find a reasonable distance for our happiness, for various reasons. Now we talked about Zoom before we started working on the adaptation, and Amy suggested Rona’s name, which is one of the most interesting things. L’idée nous a plu, à Saoirse et moi, it also seems that Rhône is similar to à Ronan, which means “little foquet”, or phoques jouent un role assez, important in the film. But this is a kind of anagram of the word “Nora”.

When we found this name, thanks to Amy, après-coy began the third stage of the solitaire of plus weeks in the company of books. J’ai parcoururu le livre, et use d’un code couleur to distinguish different aspects: “son’s childhood”, “youth”, London, “niveau du son”, “observations of the son”, “sur la nature” , “Orcad folklore”. When it’s over, it all becomes part of the novel and is meant to describe those moments of madness that I feature in the film. I looked around with different batteries, files and colors. I spent two days in the room with all the arrangers in an order that could have been used in a month for a film. After that, I wrote a description and sent it to Amy and Saoirse as soon as we started working together. C’est moi qui écrivais, mais elles lisaient et me faisaient des retours.

Amy and I walked past hours on Zoom looking for work because it’s an artistic ensemble’s mistake to create drama that doesn’t allow for some of the cat’s elements. I hope Amy will participate as much as possible. This is a violation of a huge responsibility, the justice of a film about the lives of real people.

Can you talk to me during the movie? I know you chose acoustics for the film. I know well what I want to do and work with composers on my works. John Gurtler and Jan Mieser.
John and Ian are our son and our composers. We want to make sure we master the ensemble of cinematic studies. In the fil des ans, we avons collaborate on various projects, and le grand avantage, au-delà de la trust that we have, c’est que nous comprenons tous l’importance d’une approche interior du son et et musique In general , our partners: at that moment I saw the premiere version of the script that he sent, on a Zoom call and on the development of the approach for the son of the film. It seems that cinema, c’est des images et du son, is 50/50. If you believe in immersive experiences, this is not the first step. We, we, some of us are inspired by the impressions of nature, and we want our fair to be urter aux bruits de la ville. Parfois, nous voulions qu’ils lovent les uns dans les autres, et qu’ils évoluent selon les motions de l’ame de Rona. When it is a vraiment in chaos, it is a chaotic vraiment, as if it were brisait or something had been distorted in it. When on this day, at the level of perception of choice, on voit la realité très différemment. Votre cerveau mélange tout, where dialogue turns into confusion. Les bruits de la naturale sont vraiment intensifies when he est sur une falaise et qu’on understand les orques. The storm enveloped the advertisement. Film Music also uses sons of nature. Avon and I worked a lot with old instruments, traditional for the Orcades, and Avon and I created a fusion ensemble. About our music and sound design.

Click here to read an interview with the whole son.

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(English translation)