One of Agatha Christie’s best non-Poirot stories should be her next big adaptation

Summary

  • Agatha Christie’s And then there were none A classic whodunit story based in a creepy house, where the characters are picked off one by one.
  • The story provides an opportunity for the actors to chew the scenery and showcase their talent in portraying crazy, suspicious characters.
  • film adaptation of And then there were none will benefit from a diverse cast including experienced Shakespearean actors and talented young actors such as Saoirse Ronan and Dave Franco.


christie agatha There is no doubt that he is one of the top murder mystery writers of his generation. His work has been implemented in all types of media and remains relevant even without modern updates. However, in recent years, his Poirot stories have been receiving much love. That’s fine but ignores some of his other great projects that have nothing to do with the great detective.

has to be one of his most famous And then there were none, This book has been adapted but has not yet been made into a modern film. With only one TV adaptation in 2015, the story deserves a bigger stage. So what is it about, and why is it worth paying attention to?


And then there were none

The cast of And Then There Were None, including Barry Fitzgerald as Judge Francis, Walter Huston as Dr. Edward, Louis Hayward as Philip Lombard, Roland Young as Detective William, all in long coats and suits Sitting and standing together in a room and discussing.  Something together.
20th century studios

And then there were none It’s a familiar story, with characters placed in a scary house where they are picked off one by one. The killer is a mystery, and the paranoia factor is increasing. If it seems like you’ve seen this before, you’ve either read And then there were none Or have watched any of the many movies or TV shows that have followed its path.

The story follows a group of people who receive an anonymous invitation to a luxurious mansion on a remote island. After arriving, they realized that none of them knew the owners, nor did any of them ever come but came because they were urged to do so. The house also has two servants, a husband and wife, who welcome guests and show them to their finished rooms.

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And then there were none There’s an impromptu whodunit. After drinks start in the living room, a recording is played explaining to the guests that they are all guilty of a crime. Soon after, one of them dies in front of them after consuming poison. As the night and then the day progresses, they begin to die in different ways, each one being found in a somewhat macabre layout structured in the manner of a typical minstrel poem called “Ten Little Indians”, written in 1868. .

Ten little Indians went out to dinner; One strangled her little one and then there were nine.

Nine little Indians woke up very late; One fell asleep himself and then there were eight.

Eight little Indians are traveling in Devon; One said he would stay there and then there were seven people there.(13)

Seven little Indians are cutting sticks; One cut himself into pieces and then there were six.

Six little Indians playing with the hive; When the bumblebee stung one, it became five.

Five little Indians going into law; One was found in the chancery and then there were four.

Four little Indians are heading for the sea; A red herring swallowed one and then there were three.

Three little Indians roaming in the zoo; A big bear hugged one and then there were two.

Two little Indians sitting in the sun; One became curly and then there was one.

A little Indian was left all alone; He went out and hanged himself and then there was no one there.

This poem has undergone quite a few changes since its creation, with the N-word being replaced by the word ‘Indians’ (still not the best change). In fact, the title of the original book itself was changed for American audiences due to the racist nature of the word. Early copies of the British edition can still be found with the offensive title.

That being said, the story may be considered boilerplate to some. This is one of those stories you’ve heard a million times before. But the fact is that it offers something that actors love: the ability to chew scenery.

Why and then nothing got done

As we’ve seen with the Kenneth Branagh Christie adaptation, it’s all about the casting. When you have a group of people who get trapped in a house and die, often off-camera, it’s no surprise that you need to cast actors who can make it happen. This is why these movies require an abundance of really crazy characters. Each one was greeted with arched eyebrows, “Me? What about you!” Must be able to give the look. And it shouldn’t be so extreme that we laugh, but just enough to make us believe that they did it, then they didn’t do it, then they did it again.

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This story is both bad and excellent because of one thing: first of all, it’s a blank slate. Because it doesn’t have the grandeur of all the films that came after it (knives out), it’s up to the actors and director to take the bare bones and make it work. It has a simple plot, one twist after another and a closed house. Nothing can be better than this.

Who should be made a star?

To make a movie like this work, you have to cast a wide net for actors. You need some experienced Shakespearean actors who have worked the boards and know how to use broad gestures. This is what happens when you have people like Colin Firth or Emma Thompson in important roles.

There must also be the wide-eyed young woman and the upper-crust but disheveled young man. They’re not a couple, but they arrive around the same time, and are often seen making rude comments about being “low class” or anything else that makes you want to punch them. She is shy, perhaps hiding some deep secret.

In these roles, you might want someone like Saoirse Ronan and, in what could be a strange but interesting role, Dave Franco. Ronan is a chameleon whose every role brings out a new side of him, and Franco can play some interesting characters at times. Furthermore, he can be quite complacent.

If Kenneth Branagh’s Agatha Christie adaptation fails to go ahead, And then there were none Would be an excellent direction to follow.

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