Our newsreel with Natalie Portman
Todd Haynes’ latest film releases Tuesday, October 22, 2024 on Canal+ at 9:10 PM ET. May Decemberplunge actresses Julianne Moore and Natalie Portman into an ocean of vices, disappointments and turmoil, where the audience does not emerge unscathed.
1. Acting duo of Julianne Moore and Natalie Portman.
On the poster May Decemberthese faces seem to love a déjà in themselves: a la antagonists and complements Natalie Portman and Julianne Moore are captivated by Todd Haynes’ camera, which is not a film before the scene without the girls not being present in the present. In the roleElizabeth Berryactress who studied the woman who inspired her future film, Natalie Portman introduce the viewer to Julianne Moorewhich interprets Gracie Atherton-Yu. This old professor, who served fifteen years in prison plus everything to avoid a sexual relationship with 13-year-old Joe Yu (interpreted as an adult Charles Melton métamorphosé et stupéfiant), then they become children and the father of their three children.
I study my deeds and gestures of the embodiment of the personality of Julianne Moore and Natalie Portman, depicting expressions and physiognomy – au point de lui ressembler presque totalement, habillée et maquillée Like elle, adopting the attractiveness of the meme and the expressions of memes (French sources, moue boudoise). In Gracie’s daily life as the best son, Elizabeth explores psychological processes and studies their reactions to thoughts, questions or simple actions. Et elle s’adventure aux frontières de la bienséance, semblant presque s’identifier Finalement à son histoire zordide et polemic…
2. The intrigue of the film May December
Julianne Moore and Natalie Portman’s debut film, New Film Intrigue, signed Todd Haynes to be disappointed in the betrayal of his son. If the story that chooses the implementer of the relationship is immoral (inspired by “The Love Story of Mary Kay Letourneau and Vili Fualaau”), then the angle in which the implementer’s choice of the traitor is not categorical. Sure, the viewer is watching the tenants and odyssants read the passing attitudes towards the police and the moralizing Elizabeth (Natalie Portman), but Todd Haynes turns this latest era into a manipulator who uses all my people in order to clean them up and get everything he needs. possible information about the author of the case, about big conversations and about dates.
Là se trouve tout le Cœur du Film, qui ne s’intéresse plus, which speaks of the fact of society that is the mark of les années 90, mainly due to the consequences of what came before, or every day of people, même quinze and later. Alarmed by Elizabeth and these actions, the viewer, seeing the fight against all the love of Gracie and Joe, finds himself in a difficult position. On ne peut en effet pas se fier ni se prendre total affection for these dual characters. Un Récit pour le moins déroutant donc, ponctué des scènes uncertaintes où le s reagissent de la même manière que des enfants colériques, éclatant en larmes, se recroquevillant… et provoquant chez le spectateur plus de gêne que de de pitié.
3. The Messy Universe of Realist Todd Haynes
A duet of actresses supporting a complex intrigue, film May December Immerse the viewer in a dirty universe created by musical compositions and strange photographs. An original group created by a Brazilian composer. Marcelo Zarvoswho re-criticizes a celebrity case Michael Legrand I was imagining a movie Messenger Since 1971, this rhythm of piano notes has become completely angoissant.
In particular, lorsque celles-ci marquent le début or la fin d’une scène scène revélatrice or encore la transition between plusieurs revélations qui viennent perturber la Trame du Récit. The musical atmosphere, which realist Todd Haynes combines with close-ups of Natalie Portman, Julianne Moore or Charles Melton, emphasizes the dramatic effect of each scene. Other details are captivating: light plays, sun rays or artificial objects contrast with the dark intrigue of the film to create a hypnotic picture.
May-December (2024) by Todd Haynes with Natalie Portman, Julianne Moore and Charles Melton, broadcast on Canal+ October 22, 2024.