Poor creatures: Yorgos Lanthimos publishes unpublished photos with Emma Stone
Tours plus Poor creatures. After four Oscars, two Golden Globes and one Golden Lion, Yorgos Lanthimos’s film has a collection of unpublished cliches, post-filmmakers’ tournament photos taken with the help of Emma Stone.
Bella Baxter is conquering new territory. Main character Poor creatures It seems that we know what is happening in our imaginations, and also in the place where my son, the creator Yorgos Lanthimos, is not aware of new chapters in his story. Photos of Avec l’ouvrage de ses propres Dear God, the Parthenon is still destroyed.available in previews Void, le Réalisateur laisse échapper son héroïne et son univers visuel fantastique par-delà les écrans. “J’ai toujours espéré pouvoir obtenir suffisamment d’images décentes pour en faire un livre – une œuvre qui pourrait secretive de manière, indépendamment du Film”, explain on the website l’éditeur grec.
Emma Stone in a black room
Between pages of icy paper, portraits of Emma Stone, Willem Dafoe, Mark Ruffalo or Susie Bemba floating on the border with fiction, and chimerical settings of London, Lisbon and Paris, among forest remains. Inspired by taffeta in a 19th-century atmosphere, the costumes imagined by Holly Waddington evoke a delight of oneirism as well as figés par l’image.
Ce travail d’archivage is nothing more than the fruits of a new creative collaboration, not born on the plateau, between cinema and Emma Stone. Pick up the tour in Budapest, after capturing on film the moments of floating between scenes, the realist and actress will award themselves an Oscar in a retrospective, improvised in a black room, at the end of the trip for the decoration of the leur prizes. “That day I demanded that I could develop negative ideas in a small tent that was available in Monte, I could walk past chemical products, etc.” Bella Baxter’s translator descends onto the Abyss’ platform.
Patti Smith in the foreword
The object draws on a foreword by another poet of the era: Patti Smith. Inspired by the works of Baroque filmmakers, “La Musicienne Américaine a Rédige Quelques vers Inédits.”
Dear God, the Parthenon is still destroyed., where the title is used in a long-length coupe scene, it is published in additional editions at prices ranging from 55 to 1,450 euros for thirty portfolio boxes and two numbered and signed editions. Prize to the payer for purchasing a fragment of Bella Baxter.
Dear God, the Parthenon is still destroyed., Yorgos Lanthimos, for Void. In the preliminary team.