Portrait of the old town in Feu

In the city in feu, pompiers tentent d’éteindre le bra. Le Jaillissement de L’Eau Sous Pressure Assomme L’Home En Premier Line. Your soul turns into an uncontrollable reptile, the flame continues to devour the indestructible, men worry in the choreography dérisoire. Later, one of the first consequences of the shock that provoked the vision blitz, A strange association that lives in the spirit: Steve McQueen – an open memory of the attempted destruction of London, caused by the Nazi alleme, in a quote from the premiere feature film on film history. This premiere is a tragic and cruel remake L’Arroseur Arrosé, The Lumière Brothers (1895).

Tressant is the reality of the world and the history of cinema, video and plastic, created by realists. blitz rare work: fiction not classical stencil – un enfant tente de Retrouver sa mère dans un pas en guerre – est tissée d’images, de sitsées, d’idees de mise en scène qui forcent à penser – aux bombs and aux gens sur qui elles tombent, hier et aujourd’hui, à la puissance de la Fiction et à ses borders – without entering into movement and sensation.

Last night in September 1940, the Nazi Luftwaffe bombed London. The docks, power plants, and neighborhoods at the headwaters of the East End are densely populated. Rita (Saoirse Ronan) and her son George (Elliot Heffernan), 9, live in Stepney, in a small house, and are part of Rita’s father, Gerald (Paul Weller, musician). In a munitions factory, a young woman becomes a messenger, the son of a horse from London.

Social divisions

George is mixed race (the identity in the film is the location of Steve McQueen in a photograph of a black child evacuated from London during the Blitz) and does not support the view of the motherless, which is exposed by universal racism. qui lui vaut d’être insult quotidiennement par ses compagnons de jeu And this, over time, became the conductor of the expulsion of the son-father, the source of the grenade. In the countryside of George saute du train for a tenant chez louis. D’abord ignorante de l’evasion de son fils, Rita is the moment of the heroine chronicling our lives, filmed in the spirit of Soviet cinema, on the eve of how he was torn away from the child. .

Portrait of the old town in Feu, blitz Met on a stage similar to the films, “The maintenance of social divisions during the war did not happen.” Le racisme, d’abord, qui irrigue toute la cité de son poison, and includes les endroits où l’on ne trouve que des Blancs. Le recurs judicieux aux flashback, based on the idea of ​​George’s origin, about the injustice committed by the son-father. La guerre n’a pas, not plus, contrairement à ce que les disours d’union nationale voudraient le faire croire, comblé le fossé entre entre.

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