Selected as the best television shows of 2023 by The Economist

“Barry”

The fourth and final season is the darkest and most entertaining. Barry Berkman, a hitman, had reinvented himself as an actor; Now he has lost his cover and his freedom. The show – created by and starring comedian Bill Hader – questions Hollywood’s love of anti-heroes and offers a satisfying ending.

“Bear”

In the second season, the sandwich shop that Carmy Barzato (Jeremy Allen White) inherited after his brother’s death is torn down and re-imagined as an haute-cuisine restaurant. Yet “The Bear” (pictured) feels true to its beginnings, as Carmi intends to retain the team behind the original eatery.

“beef”

Amy Lau (Ali Wong), who has lots of money, a perfect house, a stay-at-home husband and an angelic daughter, finds her life in ruins. In this dark and transfixing comedy-drama, a road-rage incident lands her in the orbit of second-rate contractor Danny Cho (Steven Yeun). Mutually assured destruction occurs.

“Colin from Accounts”

This charming Australian comedy hits American and British screens in 2023. It follows Ashley and Gordon, strangers who are brought together by an injured dog. It is written by and starring Harriet Dyer and Patrick Bramall, who are married in real life. The dialogue is very good.

“Crown”

For its sixth and final season, “The Crown” highlights recent history. Audiences already know about the disappointing end to the romance between Princess Diana (Elizabeth Debicki) and Dodi Fayed (Khalid Abdullah), but the drama is tightly drawn and mesmerizing on screen.

“Dead Ringers”

Gender-swapped remake of the 1988 film. Funny and disturbing, the mini-series revolves around twin sisters and gynecologists, Elliot and. Beverly Mantle (both played by Rachel Weisz), as they open their own birthing center and conduct ethically questionable research.

“diplomat”

Kate Wyler (Keri Russell) becomes America’s ambassador to Britain shortly after a British warship is blown up by a hostile power in the Persian Gulf. Funny, tense, wonderfully melodramatic, and full of great performances, the show is remarkably entertaining. This is the kind of show Netflix was made for.

“Fargo”

everyone’s TV Of recent years’ spin-offs and sequels, “Fargo” — which is based on the 1996 black-comedy film — has been the most surprising. The fifth season, starring Jon Hamm and Juno Temple, once again thrills audiences with unique crime scenes in America’s Midwest.

“Gold”

A dramatization of the Brinks-Mat gold-bullion robbery in London in 1983. (The merchandise was worth 26 million pounds, about $100 million today.) In Neil Forsyth’s hands it becomes a captivating tale of class, social mobility, and police corruption. Hugh Bonneville, Dominic Cooper and Jack Lowden give excellent performances.

“The Good Mothers”

Set in 2010, the show tells the stories of women who dared to challenge the ‘Ndrangheta, the mafia of Calabria. It lacks the fatalistic glamor associated with the “Godfather” films and many productions that followed. This is noir which is completely dark.

“happy Valley”

Catherine Cawood (Sarah Lancashire), a police sergeant, has long been haunted by the crimes of Tommy Lee Royce (James Norton), a rapist who attacked her daughter. Set in a Yorkshire town, this explosive drama tackles themes of injustice, poverty and organized crime.

“The Last of Us”

Adapted from a hit 2013 game, the show just finished its first season hboIt is the biggest hit since “Game of Thrones”. It tells a compelling story of survival in a pandemic-stricken world. Its climax was a love story in the third episode.

“poker face”

A casino waitress has an uncanny ability to tell when someone is fibbing. When the gangsters who run the casino attack her, Charlie (Natasha Lyonne) goes on the run and takes her lie-detector skills to the street. Another interesting murder mystery from Rian Johnson, writer and director of the “Knives Out” films.

“Succession”

The producer, Jesse Armstrong, bids a fond farewell to the Roy family. Backstabbing and blackmailing reach new heights in the final season; Funerals and weddings are equally blasphemous occasions. The series reaches a conclusion that somehow exceeds expectations.

“Wave Maker”

The show examines complex questions of politics and morality in Taiwan. Funny and inspiring, it tells the hopeful story of one person standing up for another – and it’s inspired real women across the country to speak out about sexual harassment.

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