The film “May December” was directed by Todd Haynes with Natalie Portman, Julianne Moore, Charles Melton.

“December in May” is a film about richness and complexity, Todd Haynes’ rare and enhanced ability to preserve flows that are the son of a point of view on everything we edit.

These are at least two films in May-December, and there are still good ideas for understanding each of them, aspects of this fascinating story. La Premiere Grande Réussite by Todd Haynes is a combination of two stories, two worlds and different ones. And this process does not lead to the fact that one film after another unfolds in a three-year-old child or plutôt une threeieme personne, réalisant un portrait en Creux. Rarely does a ballet tell this story, although the guide, sur love de musique entêtante – a variation on the theme of “The Messenger”, composed in the style of Michel Legrand – is a rich and phosphenogenic light, enhancing the typical atmosphere of Savannah, a village or a film. All this is also mystérieux qu’élégant. For the encore, Haynes proves that he is a demanding formalist and a true virtuoso.

Latrame, tout d’abord. Thanks to the attitude of Elizabeth, the young actress Natalie Portman, new discoveries in the everyday life of Gracie Atherton-Yu, a controlling woman who is not aware of herself at the moment she grows up, is fragile and fragile, based on appearances, Chief Executive Officer of Reusi, in Elizabeth’s age, was assessed in conclusion on the screen as a fair passer-by and a criminal relative for choosing the capital. Julianne Moore masterfully interprets the complex femme-enfant role, which she plays without walking the Leah Drucker tightrope. L’été dernier, à la fois fragile and carnassiere, constantly under threat of this effect. Alors Qu’elle Prend Litéralement toute la Place, du moins dans le Para, Todd Haynes, sans se désintéresser d’elle, se subtilement sur le personnage de Joe, mutique et unfathomable, empêché et dépendant, pris au piège d’une emprise Who Most of all, with constant empathy, the signs of emerging emancipation will disappear. The investigation involves characters, faussement secondaire, de façon juste et émouvante, que ce ce soit dans les les brèves scènes avec son père puis avec son fils, mais surtout dans une des scènes de two les plus Horror jamais vues, il donne à voir ce “Désenchantement”. “Qu’il affronte, et qui lui fait prendre conscience à quel point il se trouve, pour reprendre une des œuvres precédentes de Haynes, “loin du Paradise.” Although the description of this relationship, this abuse of power, as well as the possible balance of power, the film is very interesting.

But this is the second level of storytelling, and this level is an aussi celui that tells the film in complete ambiguity. Ce deuxième level, c’est la façon dont l’actrice hollywoodienne, dans un travail de recherche de son personnage si poussé qu’il en devient à la fois fascinant et malaisant, pénètre l’intimité du couple, confronting Gracie in her own vision – Force défaillante – you agree to everything, and you offer Joe, in a behavior that he suggests, not to consider manipulation, which is altruistic, an opportunity to enter adulthood. Portman tells all the paradoxes, tout à la fois Girl next door et condescendante envers une une, probably bien plouc à ses yeux, et dont la démarche perfectionniste et outrancièrement intello qu’elle se plait à appliquer s’averera, dans un Final Assez Grotesque, bien vane. C’est cela qui fait, à notre avis, toute l’originalite du Film, this constant confusion that he Cree Chez le spectateur, Amené à conjuguer ce Qu’il voit Avec ce Qu’il ressent puis ce qu’il Thought Qu ‘il devrait ressentir.

And if the film is a metaphor for an image, isn’t the cinema a model of history plus complexes, denatured without any realities after they are presented with a fait accompli in their pockets? This is what Haynes, the funny truffeur in the film d’une of the symbolic animal world, offers – and this in the epilogue – and it alienates the two actresses playing the roles in the world, also excellent, who are disgusting. In the process of idealizing this pair of serials, which go beyond the grotesque and typical curious rival duos to arrive at the crudeness of vulgar soft-core pornography, Haynes illustrates a collectible school curriculum. it represents my workaround for what is in clothing.