“The Outrun”: portrait of a young girl in the wild
Rhone, 29 years old, is located on the Croise des Chemins. Festivals of the times of studies, ses nuits d’ivresse, Sont Devenues de Dangerous places entailing ethical values. The voice left London for the destination of an isolated archipelago on a large island, an island that was great, instead of this part of the jadis with no intention of returning. In an isolated denouement, in the chaos of the city, Rhona waits to be restored. Encore faut-il qu’elle parvienne à rester. Realized by Nora Fingscheidt, who, together with Amy Liptrot, adapted the autobiographical story of this dernière. Outran (L’Ecarte), where you can see Saoirse Ronan’s exceptional Telluride Festival award-winning performance.
The film presents a non-linear narrative structure, old-fashioned and modern, and it echoes the font. The ellipses appear unstable in the drawing. Indeed, by the insistence of morcelée temporality, these moments of accomplishment coincide with the hero’s state of mind. The deep heroine travels through the mask of dispassion that is present in the world of volunteers.
À cet égard, et comme à son habit, Saoirse Ronan (Ladybug, Ammonite) express beaucoup sans mot dire: un serrement de mâchoires presque nequitent, un view lointain… Une expressivité subtile que Nora Fingscheidt capte en multipliant les gros plan du Visage si parlant de sa vedette (et coproductrice).
Ceci expliquant cela, la narrative in hours champ apparaît parfois superfluis, avec son surcroît d’information. Quoique, these inner monologues are freely written by Saoirse Ronan in her graceful and gentle voice.
strict poetry
À l’image, une poésie austère, mais évocatrice, émane en maintes. This is obvious due to the sequence of the overtures. Afterwards, Rona joins the child wandering the ridge, exploring the submarine life that is crumbling before her. So, voilà qu’on découvre une Rona Adulte, dansant dans une boite de nuit: Filmée au ralenti, la scène a des allures de ballet aquatique, entre transition and continuation.
After that, that evening, when Rhône-sur-Ile, lorsqu’elle renoue, sous le Signe d’un Malaise Sourd, the parents divorced. Tandis that this is just the corpse of God, father’s son, Louis, continue the noise, this is that he has acute bipolar disorder. The evolution of the relationship between Rhone and the father’s son, but most of all, late as beauty, between the young woman and the mother herself, is a modular splendor.
Sur l’ile battue par le vent, au gré de Marées cruel, mais apaisantes dans leur constance, Rona chemine en elle-même. Ira-t-elle jusqu’au bout, ou fuera-t-elle à nouveau? The question is quite simple, but the portrait that is revealed is infinitely complex and touching.
Watch in the video