To the Moon: A Laborious Novel of the Sixties (Criticism)

Malgre l’energie, unfolded by Scarlett Johansson, is a spatial romantic epic and a low-cut dress without a cleavage.

to the moon In the second film, Scarlett Johansson’s interpretation is also produced by her sons (through This Pictures), and is a child at the time of filming. The Actress Donne à Fond, et il faut Reconnaître Que elle Rayonne en équivalente femme de Don Draper dans la series Madmena sixties advertising agent on the slopes, renting a high phallocratic candy bar, which was a cross, a son, and who was delighted with the government government sacrament (Woody Harrelson) to dynamize the image of NASA in front of the great public figure of America. The Choc Marketeuse from Lors Mettre In order to Rendre Sexy Le Programme, Quitte à Imagine a Faux Alunissage, at this place of the world, conçu Par Unfrogné Mission (Channing Tatum), do not pass by as before…

to the moon understand the many options à la fois: romantic comedy “sucrée à l’humeur” madmanpresented by the neo-Katharine Hepburn and Spencer Tracy duo, it plays delightfully before dying in bras elsewhere; a Pur Film of Conquête Spacee (Mais Vu after Plancher des vaches), with what is considered a Competition of Grace Moments (l’évocation of the Apollo 1 drama, déjà remembrance in light in First man), the tension of the “comte à rebours” and the tonal quality of the scene is such that the dresser’s legs are on the bras; and finally, last but not leastoutdated facade from the sixties ” Khabia una vez à la NASA”, inspired by the most famous plot theory – the idea of ​​a 1969 movie that was never meant to be. It is a wonderful film for a single film, which paraits du luck in captivity, breaking up relationships (2 hours 11 minutes in the game!), and does not work in reality under any angle, neither in romance (work, Tatum, paraissant, desynchronized alienation with a partner) , nor l’épopée spacee (déjà vu cent fois), et encore moins la fable loufoque.