Categories: Entertainment

What is the film about addiction with Saoirse Ronan?

Nora Fingscheidt’s new film with Saoirse Ronan matches the sobriety of young alcoholics in the north of Ecossa.

Comment from a traitor to alcohol addiction and a comment from montrer le fight against addiction? OutranNora Fingscheidt’s new film will be released in theaters on October 2, 2024. Try to answer these questions in response to Rhona Parks, a young teenager who will take on the assistant after the squad.

A film that gives you atmosphere – helps you to be beautiful in its natural and elegant planes – but which ends up lost in formalism and in ambiguity.

Saoirse Ronan in Outran. ©UFO Distribution

Rhone on the surface, de la jeune femme comblée: londonienne, entourée d’amis and debutante associated with a pair of promethetes. At the evening, Rhone languished in the chak fois dans le verre de trop, and therefore des dégâts qu’elle ne nealise pas et ne voit pas. Hereditary alcoholism, which is obliged to help the city recover from detoxification and reconnect with it in the north of Ecossa.

Bad design

Outranbeing in a transparent state, it was ridden on trails with a chaotic design. The film is not linear, and if he loves Rhone, he is not recognized in the premiere minutes, and the long meter of Nora Fingscheidt does not have fun in the entire suite “la fois de trop”, Celle qui pousse la jeune femme à se faire aider. This is à la fois la power et la fiblesse du Film.

En découpant son récit – et son montage – dans le, but d’alterner les periodes et les épisodes de vie, Outran Instantly take on the color of a film d’ambiance that invites the viewer to get lost in their images, their sons and their first journey. On the contrary, the structure became disordered and confusing, presque hermétique à l’émotion.

Outran.©UFO Distribution

Au cœur de OutranSaoirse Ronan – the film’s top producer – found her new role in high style and embodied many of Rhone’s subtleties and nuances. Touching on fragility and insurance, man is built and destroyed as the film progresses. Nora Fingscheidt’s camera, Premature Relationships and Gestures of Comedy, as well as the voice that narrates the recitative, offers a new idea related to the sense of oneism and poetry that Outran Tente d’avoir à tout prix (quitte à en faire trop).

The actress represents a career tent for independent cinema and for introverted characters, in the form of de Ladybug (2017) or Les Filles du Doctor March (2019) by Greta Gerwig. Avec Outranawarding the interpretation prize at the Biarritz film festival Nouvelles Vagues 2024 and forecasts mention the Oscar…

In stock

Acheter on Fnac.com

It is also possible to break down rhythm and tone into sounds. Entre la vie chaotique in London and le quiete apaisant des iles écossaises, le Film joue avec ses scenery, and in parallel met le chaos et la sérénité, dans une recherche d’équilibre aussi intérieure – pour le personnage – que formelle pour le movie. Elegant in its mise-en-scène and photography, the film could be the surrealization of Nora Fingscheidt, a film with empathy for the characters and all the natural richness of Ecos.

Ne pas occulter son sujet

The main topics are alcoholism and drug addiction. Outran Développe suggests approaching different aspects of this matter. Perte de reperes, dommages Collatéraux, éloignement Social et Family, Déni et Résiliation… Sans Tomber dans une Marche à suivre Force de la “Réabilitation”, film “Conscience about weight and importance for the son”. A couple of simple details – dits ou montrés -, Outran Put on a complex picture and a deep picture of choice, without the occult, in moments of genius, honor, misfortune.

Néanmoins, et puisque le Film maintient un paradoxe de bouts en bouts, this is a true representation of alcoholism passe encore une fois par le découpage surprenant du long métrage, empêchant une montée en puissance graduelle dans la chute, ou au contraire dans la reconstruction. Outran This is peu tout à la fois, and emotions dissipate in moderation.

Saoirse Ronan.©UFO Distribution

Outran all cards are basically in making a great film but distributing it poorly. Nora Fingscheidt’s feature lacks confidence in either its protagonist or its theme of laissez-faire, which develops simply.

Artificial sound of a concert through editing and rhythm saccades in an ensemble. En montrant le haut et le bas en même temps, le movie perd son public et le destin – au demurant touchant et bien interprété – de Rona en devient secondaire, et lasse.

The group announces Outran.

OutranNora Fingscheidt, with Saoirse Ronan, Paapa Essiedu and Stephen Dillane, 1:58, in cinemas October 2, 2024.

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