Why don’t you watch “Emilia Perez” by Jacques Audiard?

I nominated one of my favourites for the Palme d’Or at the 77th Cannes Film Festival. Emilia Perez sign Jacques Audiard’s return to power with a cinematic proposal that is also surprising. The film recently won the Jury Prize for its implementer, and the Prize for the female interpretation is awarded to its three interpreters together.

This is what the world chose among critics and filmmakers following the debut of the official competition: Emilia PerezJacques Audiard’s musical comedy is a series that is in contention for the Palme d’Or. In fact, the feature film, directed by Zoe Saldana, Carla Sofia Gascon and Selena Gomez, has graced the Croisette three times during its five-week run at the Cannes Film Festival, culminating in a 6.8 rating from the Palmomètre. SensCritique. After the holidays, it’s back, L’Eclaireur I’ll keep an eye on one of these repasses this week to see if the rumor goes away.

Inventive, political and innovative, Emilia Perez This film object is difficult to identify by its exit. Ahead of the projections, watching the noises in the corridors and interrogations. In the forced understanding of Zoe Saldanha and Selena Gomez, the duet of actresses at the moment in the Audiard cinema. Some grumble that excites the musical comedy, the author of “transitional personality”, and others that this mysterious project is prend for the decor of the Mexican heavenly cartels. Commentary of the French implementer, perhaps there are all these thematic topics in one film? Tell me, please, comment on how to offer a long meter that works?

The device did not remain in place in the afternoon. During the first few minutes, you filmed a scene of intrigue. In the suit also Rita (Zoe Saldanha), a Mexican lawyer with high qualifications and reliable operation, which will help the chef of the cartel to become a pensioner in business and to realize the dream of someone who lives in life: devenir une femme. For this, Manitas doit faire croire à sa mort, renier sa famille, et disparaître à l’stranger. In any case, the separation was even more difficult than the previous one for the cell, which became the powerless beauty Emilia Perez.

L’onirisme musical comedy

Embodied by the sublime and magnetic Carla Sofia Gascon, the hero is one of the film’s great pillars. Although it seems plausible, the character is in the pelicule for his incaldescent sensitivity and a confidence in his inspiring, poetic beauty. Jacques Audiard’s film, multiplied by lyrical impulses, is a mise-en-scène in the form of a musical comedy in laconic pop and Latin American songs. Outre le genre, which brings an indefinite frîcheur bienvenue to the official competition, le musical You can talk about movies and talk about pure dramas or social media.

“The pop aspect of comedy music” brings a certain romanticism to the film, in which “the variety of dance and chant scenes” – which is part of orchestras – gives rise to a very strong reality. Emilia Perez It is also luminescence than shadow. The imagination that will convene the musical comedy confronts the reality of the characters who are manic.

We continue to descend through our memories, in the spirit of romanticism, but also in the manner of dynamite in the genre, in the musical. Romeo and Juliet Baz Luhrmann (1996) Both creators found a certain echo in the work in the dramatic characters and the boldness of the stage mise-en-scène.

Black Woman by Emilia Perez

The fatality that surrounds the protagonists must become another element that depends on the two realizations. In fact, Emilia Perez there is an inevitable blackness in relation to the themes that are interrupted in the film.

In Cote, if he is political, he does not hesitate to fight against corruption in the Mexican administration, the violence of the cartels or the omnipresent feminicide in Central America; a project integrated into the current Mexican society. In the past, Jacques Audiard asks in an old story — even in time — the dilemma of transidentity, the secret, even the mystery.

These topics are available throughout the film, more, more, more levels of lectures, faisant ainsi d’Emilia Perez The work is also rich not only in form, but also in background.

In short, the film does not exist without its actresses. To bring back the power, Jacques Audiard can play a trio of bright words to bring this amazing thing. Zoe Saldanha has found her best role, Selena Gomez is a rare tenderness, so Carla Sofia Gascon has made everything simple. In the ensemble, they form an explosive cocktail, foreshadowing sur leurs épaules une œuvre enggée, melancolique, musice et feministe. A perfect combination to seduce the president of the jury Greta Gerwig at the evening.