Why is there a film with Francois Civil and Adele Exarchopoulos here?

Les Productions Françaises ont le vent en Poupe in 2024. After success fous d’P’tit Truc En Plus etc. Count of Monte Cristothe other French incarnation is greeted with anticipation. On this day, October 13, the avant-garde premiere took place L’amour oufGilles Lellouche’s first realization after success Grand Bainin Lille and rebroadcast throughout France, this is a matter of emulsions.

Even more so, at the Cannes Film Festival, the red slippers will perform this romantic drama for its premiere. After intensive advertising on all television platforms and all French radio stations, L’amour ouf sort ce mercredi October 16th throughout France. Et si le movie visible to critics at Cannes, le public l’attend de pied Ferme… Mais pour quelles raisons?

It seems there is a project that in my time à voir le jour

L’amour ouf This is a film that Gilles Lellouche has seen on stage for over 15 years. This is Benoit Pulvoord, author of the Irish novel Neville Thompson. Jackie loves Joneser, okay? In 1997 I published the film in the magazine lui conseillant d’en faire. Pendant “Années”, Gilles Lellouche, essay “Ultra-violent romantic comedy”, but the project is already behind. Final, after success Grand Bainpremiere of the comedy by Gilles Lellouche, L’amour ouf announced as part of the 2021 Cannes Film Festival. “Il faudra encore three before the film is not in cinemas, we will realize the script in four leading roles with Audrey Diwan” (Leveman, Emmanuel…).

Seems like a passionate love story here

It’s like they’re nom l’indique L’amour ouf follow an epic movie love story in Raconter. This is a passionate love story between Jackie and Clotaire. In 1980, in northern France, they return to adolescence. Alors que leurs social origin les opponents, ils tombent fou amoureux l’un de l’autre. Mais Lorsk Cloter is accused of committing a crime, he is sentenced to prison and loses Jackie. On this outing, at the age of 27, he is determined to recapture the cage that was the target and the pied piper of le temps perdu.

Meet the romantic and romantic scenario, true romantic rumors between two movie stars (qui agacent les deux principaux intéressés qui refusals to respond to advertising), il n’en Fallait pas plus for the name of the curious.

Looks like a new casting

L’amour oufThis is also a completely different casting. Gilles Lellouche created a “single” work in the style of “realization” and “apparatus” as an actor in a film, a reunion of the author of his favorite films with big names of the moment. Francois CivilThree Musketeers) and Adele Exarchopoulos (The Life of Adele, “I Believe in the Eyes”) embodies two lovers as adults when they are Mallory Vanek (Le Pires) and Malik Frikah (Apache), which includes teen versions. Autour d’eux, development of many second roles: Alain Chabat (Town de la Père), Benoit Pulvoord (C’est arrive pres de chez vous, podium), Vincent Lacoste (Purdue Illusions, Hippocrates), Jean-Pascal Zadi (Everything is just noir, in place), Elodie Boucher (Je verrai toujours vos visages), Karim Leklou (BAC Nord, The world is here), Rafael Kenard (Yannick) and Anthony Bayon (Prieur) viennent all donner la réplique aux main characters.

It feels like a big budget movie.

Pour L’amour oufGilles Lellouche in the greatest selections: romantic drama, gangster film, ultra-violent dance scenes, reconstruction of the years 1980 and 1990, trumpets (Bure, Prince…), leche mise-en-scène and shocking photographs… At the Cannes Film Festival the press released the “four” , forcing Gilles Lellouche to partially return the copy (the film was amputated for 20 minutes by rapport in the version projetée sur la Croisette, as we learned Le Parisian). As a result, more than 90 people are accepted on the tour. Given that, according to CNC, the film costs 35.7 million euros… Pay attention to large budgets.

It feels like you are criticizing them and are in the wrong place

A film that shares criticism creates curiosity. Pour L’amour oufwho, at the premiere of the Cannes Festival, discovered a critical critique of Lellouche’s cinematic achievements, in reproaches of faire parfois trop. The personality is not a complete agreement: “vivid and ultra-romantic” for Le Parisien, which, like everyone else, was “obedient violence” in the film, “Gilles Lellouche touches love” for Les inrocks. “Epuisant fourre-tout” for Télérama is also a “very long sentimental melody” for Le Point. Memorial “Ouf à rever” for Le Huffington Post, “Gilles Lellouche signs a film that is not popular with tour fans.” Cela n’a empêché le recevoir 15 minutes of applause at the premiere of the film, recordings for this publication… Give away more delirium. Quoi qu’il en soit, et comme toujours avec le cinéma, c’est le public qui aura Finalement le dernier mot.

Summary – About 80 years old, in the north of France. Jackie and Clotaire argue between the shores of the Lyceum and the port docks. Elle étudie, il train. Et puis leurs destins se croisent et c’est l’amour fou. La vie s’efforcera de les separ mais rien n’y fait, ces deux-là sont comme les two ventricles du même cœur.