with Emilia Perez and Jacques Audiard playing in the large hall
Racheté from Netflix, multi-premiere musical drama in Cannes by the French producer, sera soumis on the streaming platform in the best categories of best films, best producer and best actress in the Oscar course.
After success in Cannes, Jacques Audiard says the marathon is l’attend pour défendre Emilia Perez . The genre-crossing musical odyssey of a Mexican drug dealer is getting big press for the Oscars. ” I’m terrified “, avoiding the AFP theater during his travels or sending patrons to Los Angeles ahead of the film’s release in American theaters. ” Mass success is what the curious chose, this is not the life “, explain-t-il.
At 72 years old, the implementer became the multiplier of all returns to France and to the State Universities in my past. Car Netflix – who acheté son dixième long-métrage pour le Differ à desde du November 13 in streaming – compte le soumettre dans les les categories générales (best film, best realization, best actress), bien au-delà de la Of course for the Oscar best international film.
” Mass success is what the curious chose, this is not the life »
Jacques Audiard
Après Telluride et Toronto, art project Emilia Perez at the opening of the American French Film Festival (TAFFF) in Los Angeles on Mardi Gras. La Campagne s’annonce bien plus intense film 2010, the film “Son of Lor” Prophet Avait was nominated for an Oscar for Best International Film. ” Here’s how to qualify for provincials at the Olympic Trials. “, lâche le dandy parisien, du cou’s new scarf and leopard print shirt as a blue suit.
Transgender actress premiering at the Oscars?
Jury Prize at Cannes for the unsurpassed film-story of Manitas’s repentance. A powerful Mexican dragon baron, in the picture of a machinist pyramid, an orchestra with disparity to realize the deep aspiration of his son: devenir une femme, Emilia. Enfin libre d’etre elle-même, l’ex-criminelle monte une association d’etre aux victims of drug trafficking. She was again among the women and children who were dead, and was a bystander for a beloved parent. This dual role of trans-genre actress Carla Sofia Gascón became part of Cannes history and an important award for female interpretation, along with fellow comedic film actors Zoe Saldana, Selena Gomez and Adriana Paz.
It is an encounter with this Spanish and unique history, marked by a transition of 46 years, which allows Jacques Audiard to direct the film in old characters. The role title, originally given to a 30 year old, doesn’t make sense to inspire confidence by explaining it. ” J’avais beau faire des essais, ça ne marchit pasconversation-t-il. And when it comes, revelation occurs. La Vierge is dressed devant moi, this is proof.” Greetings: ” When you make the transition at 46, I don’t know how to imagine what’s ahead. Quelles ont été sa vie et sa douleur ? “This épiphanie l’a poussé à remodeler son heroine of the transgenre, inspired by a lecture du roman Ekute Boris Razon. And this allows Carla Sofia Gascón to become the first transgender actress nominated for an Oscar.
Australian lira
D’Emilia Perez in Joker, the musical comedy that took cinemas by storm
“This is a film that needs to be made”
D’abord écrit sous la forme d’un Opera, Emilia Perez This is a “musical drama” in a series of genre names: drug thriller, soap opera, LGBT film… Paraissette melange “ evident by Jacques Audiard to help you navigate the transition and the many facets of a protagonist. You, cinéaste, are taking revenge on me for a certain “ kitsch “liberator abroad with” insolence “Les enjeux de société évoqués dans le movies. Comme lorsque des chœurs entonnent en plein hopital le refrain « Rhinoplasty ! Vaginoplasty ! » « Il Fallait Qu’il will consume everything, that’s the film that makes this filminsists-t-il. On va chanter sur des trucs qui sont incredible. »
This risk award recognizes the amazing work that the American press gave to the Oscars long before the nominations arrived in January. The first film I’m fired up by criticism Netflix détient peut-être jumpsuit this year » for Best Film Oscar, Soulignait la Semaine dernière le Magazine Diversity . The sacred event taking place on the career of this implementer of the deja multi-perspective event, do not touch the movie with different or underage characters. Dipan Palme d’Or 2015, suivait l’exil de Tamouls en Banlieue Parisienne, De rouille et d’os chroniquait la reconstruction of a gold dress with an amputee for the son of a protégé, etc. Prophet plongeait dans la violence in the universe carceral. ” Je suis curieux “, sums up Jacques Audiard. Conclusion: ” I’m interested in people who don’t know what a bad definition is, but don’t know what the number is. “