a melodic film in the truelle style, more restrained by the actors

Criticize Michel Franco’s melodrama with Jessica Chastain, Peter Sarsgaard, Merritt Wever (Etats-Unis-Mexique-Chile, 1:40). Release date: May 29 ★★☆☆☆

Pour in the aller plus loin

The best actor award for Peter Sarsgaard this year in Venice, for the film “Memory”, which received the award for its brilliant distribution. In this chronicle with melodramatic accents that play some stormy topics, Sarsgaard supports the role of le plus “payant”. Il est Saul, quadragénaire dont la memoire s’étiole, lost in the house and in life, like a grand enfant souriant. In the evening, he will approach Sylvia as a son of the house. La rousse jeune femme mefiante, as a chat of wild people when they are aggressive, you can understand that you have chosen not a tour of the Ronde. She meets the family and the deviant, despite the comfortable salary, “nanny” Saul. Jessica Chastain brings a lot of nuance to this Sylvia scent: she wears it on her sleeves, an old alcoholic drink in color and sour: she’s a memory trope.

Michel Franco (Aurilia’s Girls, Sunset) is a great writer of femininity stories that are, like cinema, a la truelle. When you hear the word “chicken,” it’s a plus, because it makes you (or her) a lover of the movement so much like a volunteer.