Adele Hugo, Sophie de Bardonneche, The Amazing Keystone Big Band, Thus Love, Karen Lano, Isa Yasuke

Melodies from the poems of Victor Hugo

This ensemble of unpublished works pourrait passer pour un famille (les mots d’un illustre poète en Accord avec les Notes de sa fille la moins considérée), mais il s’apparente très vite à un Portrait en Creux d’une musicienne que wings of a painful life and the past postérité étouffée ont cantonnée à l’existence Virtelle des Fonds de Tiroir. Adele Hugo (1830–1915) did not compose anything that could help her, most of all her creations, discoveries in 2004 in Guernsey, outside of amateur work. On the instrumental pages there is a voluntary deviation, which, in Melodies from the poems of Victor Hugo

it is a dual authentic statement of identity. These final notes in the orchestral arrangements are realized by Richard Dubunion with the aura of a sober colorist who is effective in dramaturgy. Defending the verdict of the Victor Hugo de Jean-François Verdier Orchestra, a justice renewal program for soloists. Toutfoy, ce sont les mezzo-sopranos qui paraissent le mieux, serve the lyricism of Hugo d’Adele, complemented by Karine Deshaies (June nights) and penetration with Isabelle Drouet (Prize to death). Pierre Gervasoni

Criticism’s Lyre (2023) | This article is reserved for our subscribers L’énigmatique Adele Hugo, composer restée méconnue

Lira plus late

Alpha classic/outsider music.

Fates

Works by Elisabeth Jacquet de La Guerre, Mademoiselle Laurent, Mademoiselle Duval, Marie-Christine Fumeron, Anne-Madeleine Guesdon de Presle, Elisabeth-Louise Papavoine, Madame Talon, Anne (or Marguerite) Bocquet, Françoise-Charlotte de Menetou, Madame de La Chausse . Avec Louise Ayrton (violin), Marta Paramo and Clément Batrel-Genin (violas), Hannah Salzenstein (cello), Lucille Boulanger (viola de gambe), Justin Taylor (clavin and orchestra).

Pour son Premier Disco En Soiste, young French violinist, member of the Baroque music ensemble Le Consort, s’empare du repertoire des compositrices XVII^And and XVIII^And century. Mis à partly relative of the famous Elisabeth Jacquet de la Guerre, no splendor Sonata in D already registered déjà vu, find out between them and they will never be written to your disk. Certain, married, marriage name signs. Delicacy of features, sensitivity fremissante, liveliness of games of ombre and light, musical past with très vivaldienne TempeteElizabeth-Louise Papavoine, au saisissant lyrisme d’une Arietta d’Anne-Madeleine Guesdon de Presles, sans oublier la danse, comme dans l’élégante Gavotte By Françoise-Charlotte de Menetou. Accompaniment, notamment, par-la-viole de gambe Lucille Boulanger and Justin Taylor’s harpsichord, Sophie de Bardonneche’s Orphic violin offer à ces dix femmes une resurrection à la mesure de leur talent. Marie-Aude Roux

You are left with 60.43% of this article in lira. The package is reserved for subscriptions.