‘Biker Boys’: Jeff Nichols Signs Subtle Portrait of Delirious Bikers with Austin Butler in Neo-James Dean

Quant à la voix off, it also echoes Scorsese’s film, it includes a different tone: pas celle, béate d’admiration, d’un gamin qui aurait toujours revé d’etre un bikerlike Henry Hill, the ghosts of the gangster idea, but women. Soit Katie (Jodie Comer).

Sous le Signe by Brando

At Karen Hill’s insistence, apart from Scorsese, Katie was shut out of the world. This is not a girl from a good family, but the most beautiful woman from the blue ring, who, in case of meeting, will give in to the beautiful Tenebrace Benny, make friends with the Vandals, the Midwestern motard club afloat. de ssixties. The story is true.

Austin Butler, the actor who saw the face of the king three years ago

Johnny (Tom Hardy, who has no voice to threaten) creates the vandals after they open their eyes. Wild (Laszlo Benedek, 1953), this film established Brando as an icon with perfection and a motorcycle in the guise of an honorable man in society.

At the time of their debut, The Vandals were not a group of fun-loving motorcycle enthusiasts and anti-conformists. Leur mépris de la loi ne dépasse pas les excès de conduite or quelques magouilles. Bagharras are limited to the bar. Comment on this coming to the outburst of brutal violence that occurs in the film?

Chronicle of mutation

Nichols can be chosen as a vector for reading Danny Lyon (Mike Feist, Art de Contenders Luca Guadagnino). Ce photojournalist a suivi les vrais Vandals, pendant cinq ans, dans les années 1960. In chronicant leur vie, leurs mœurs voire leurs travers. Le livre qu’il en a Tire Capte Entre ses Cliches une Mutation: the cells of these clubs are a la violence in the trade in gangs of criminals. Ou les prémices de ce qu’a mis en scène la serie à succès Sons of Anarchy.

Benny puts on the plus-en-plus-savage outfit, sends it to Katie’s opportune moment, and has faith in Johnny. Author of this ménage à trois – quatre si on ajoute la becane – s’agite une myriade de frelons: les autres motards, les gangs rivaux, des paumés, des camés… Michael Shannon, faithful implementer, Norman Reedus (The Walking Dead) and Boyd Holbrook (Narcos) a few seconds away from vandals.

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As the return son of Scorsese’s model, Nichols resisted the fascination of a universe that pondered. When I pass the women Katie and Danny Lyon, he becomes the embodiment of a human archetype. Même si la soif de liberté et le refus des carcans Benny calling on the great American fearless solitaire. This is the implementation engineTake shelter (2011) and others. Dirt (2011).

S’write in myth

In retrospect, an impossible romance loving (2016), “Pa for the cause of racial differences, most of all for the meaning plus deep and internal, which happened to read un chemin de traverse intemporel mais contemporain.” Benny, comme les motards de l’immédiat apres-guerre, veterans revenus dans un reconnaissaient plus, rejette le Materialisme, la maison de banlieue ouvrière pour laquelle on se crève au quotidien (comme le premier mari de Kathy).

All characters in realistic cinema are created. outcastsdes losers, anti-conformists do not rebel against an ideal (à ne pas confondre avec l’ideologie). S’ils ont fleuri dans l’Amérique des sixties, that’s the point. Mays Nichols is a subtle step for frontal exposure. He slid between lines of dialogue, between images. Benny’s memory, which disappeared in the last image, reflects all memories, disappointments. The disappointment caused by the cache has only just happened.

When Benny starts, it’s something new, he pours into one of the police car’s meters, taking a quick glance at the arrière, an image reproduced to perfection in the famous photograph of Danny Lyon. Captions by Jeff Nichols “Alors is reading in myth.” Mail-Elvisneo-James Dean, heroes of the Greatest Generation (comme le Pilote de Bombardier de Master of Air, ce qu’étaient nombre des motards pionniers), Austin Butler, file lui, also vers son destin à tombeau ouvert.

Cyclists American From et écrit par Jeff Nichols Avec Jodie Comer, Austin Butler, Tom Hardy, Michael Shannon,… 1h56