“C’était un Scandale Annoncé”: Vincent Cassel recalls the polemical film “Not the Best” (VIDEO)

David Cronenberg, the character nicknamed “Dave the Depraved”, is the reason for his works dedicated to body horror, resurgent on the Croisette with “Le Linceoul“The seventh film in competition at Cannes. Canadian distributor, non-premiere film, presented at Cannes in 1996″crash“” was ported by Vincent Cassel and Diane Kruger.

Diabolical research through technology

In The Lincels, Vincent Cassel plays Karsh, a 50-year-old business man unable to cope with the death of his wife Becky, played by Diane Kruger. To make this unbearable, Karsh, through his company GraveTech, is developing revolutionary technology that allows one to see the tombs. This invention offers a way to reconnect with Becca, but it’s also very stupid.

Working between elegance and discomfort

With 1996’s Crash, Cronenberg experienced a sense of greater elegance and outrage in his adaptation of J. G. Ballard’s novel. This film exposes the fascinating micro-society of car accidents, a confluence of eroticism and coldness. The Crash is shocking and destabilizing, but the sophisticated aesthetic demands the les esprits brand. “Accident, deconcert and destabilization: Cronenberg purely according to the law. The malaise caused by the film, set in a decidedly elegant refinery, combines with the icy frostiness and eroticism that connects the chair and the car, in lequel le psychique s’ unit au Physique,” ​​Rappelite analyst

“Bomb in the Church”

I invited sur le plateau de Cà vous On May 21, the realist is accompanied by the sons and daughters of Vincent Cassel.

Today it is a festival regular, and in 2000 a controversial piece appeared.

In fact, the whole world is experiencing a wave of shock caused by the presentation of Gaspar Noe’s film.”Irreversible

“, in this context, Vincent Cassel responded to his ex-son Monica Bellucci.

Irreversible tells the story of Alex, played by Monica Bellucci, the companion of Marcus, played by Vincent Cassel. Alex became a victim of violence and brutal aggression from perverts with his name. Marcus, angry and determined to take revenge on the company, strikes with a spear in this destructive revenge.

Continuing these extreme long scenes and being their anti-chronological montage, this atypical long meter begins at the end of the story and ends in the opening.

Vincent Cassel said: “sur le Tournage des fois je me disais, tiens, y’a 10 people who sort, là y’en a 15. And du coup, when at the éteint la lumière (before the projection in Cannes in 2002), I “Impression , which I want to get from the bomb in the church, with respect to what I’m doing at the festival.”

“This is a scandalous announcement”– admitted Vincent Cassel. Mais il ajoute qu’il s’est rendu compte avec le temps, “Qu’on se suuvient more scandals at Cannes than the Palme d’Or.”

“C’est le movie dont vous êtes le plus fier?”demands Anne-Elisabeth Lemoine. “I thought it was an important film, and you said that you left it for the tour, you see, after 25 years, in conversations in film schools, it turns out that every day in schools there is “film”ajoute-t-il.