Cinema – “Emilia Perez” change of genre and life

Jury Prize at the last Cannes Film Festival Emilia Pérez de Jacques Audiard was awarded the Palme d’Or. Parson propos, sa forme et son originalite. Three comedians are important to this story of redemption: Zoe Saldaña, Carla Sofia Gascon and Selena Gomez.

In modern Mexico, Rita (Zoe Saldaña), a defender of the great disadvantage in the Afro-Caribbean, gives her son a talent for serving the patron, imba de sa persona, white and Peu, respecting the ancestry of her clients. During Rita’s new trial, which allowed her to acquit a man of a cruel meurtrier de sa femme (suicide!), she is contacted by a powerful drug cartel chef. A handyman promises millions if he completes his job to complete his next day. Rita craint le pire, mais c’est encore plus incroyable: le chef, dents d’acier, voix rauque, des dizaines de morts sur la conscience et tatoué de partout veut devenir… une femme.

Une demande d’autant plus étonnante qu’elle est faite en chantant. Emilia Perez’s vehicle is open and clear in a musical comedy. Meme, if it’s a comedic word, certainly doesn’t fit this atmosphere of mystery and fear.

Rita, girl of life, take a risk and travel around the world in search of the best surgeon. It’s also more discrete. She’s also busy with everything security-related in Switzerland for the Manitas family, Jesse’s woman (Selena Gomez) and two children. The debut of the film, the first act of the opera, is swift and tremulous. I think about the supposed death of a gangster.

Four years later, the suite allows us to discover the new life of Manitas, aka Emilia Perez (Carla Sofia Gascón). A woman rich in millions, living every day in Mexico, but supporting no more than her children. The story goes back to Rita and the trickster Jessie’s demand and her children to rent her country to live with Manitas’ “cousin”, one Emilia.

Rythmé par les nombreuses chansons, souvent très courtes, Composées et écrites par Clément Ducol et Camille, le movie est une une jolie parabole sur le bien et le mal, la redemption et la difficulties of life tel qu’on se voit. Handyman for the cruel, to die quickly, Emilie veut réparer les dégâts, spreads du bonheur. It is most of all a person. L’image suffit-elle pour rendre bon ou bonne? The viewer of the truvère himself answers.

A film by Jacques Audiard with Zoe Saldana, Carla Sofia Gascon, Selena Gomez, Adriana Paz