Criticism: Emilia Perez – Film Criticism

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Emilia Perez

France, Mexico, 2024
Realization: Jacques Audiard.
Writers: Jacques Audiard; Thomas Bidegain
Starring: Zoe Saldana; Carla Sofia Gascon Selena Gomez
Distributor: Pathé Distribution
Genre: musical comedy, thriller
Dury: 2 hours 10 minutes
Departure date (FR): 21 August 2024

4/5

I see a complicated love story with the cinema of Jacques Audiard. From the origin of some of my best films, a change from a French cinema to a stylized version and then, never mind, the symbol of the ideology of a confusing man, a striking phrase on the morality of the spectacle.

I fell asleep at the thought that the Audience was indulging in a critical analysis of an American thriller in which the science of dialogue and the great mistress of the ported camera are carried out.

With Deepan, I felt like I had reached a point of no return and was torn away from the realistic frame that the film trachysses as a voluntary control over an obsession.

With the American Western-American film “The Fresno Sisters” and the little French film with “The Olympics” he would like to return to the Church to Retrovert a Peu de Légitimité. Peu importa, en fact, but I have learned these stories plutôt réussis, as well as Australian envelopes, as well as other lessons of some of them.

Emilia Perez, here she returns not only to her ghost, but also to the master. As an example of musical comedy in the scenery of his play, Audiard returned to the performance of three funny scenarios and a spicy encore in the spirit of the American tradition, but most of all it was for the pirate from the inner world.

The film is not rethought if it is not a completed path, and it will reproach the surfer in the current thematic society, who chose the great choice. C’est être bien car le spectacle, lui, es bien au Rendez-vous.

Emilia Perez is magnificent in her choreography, in her rhythms. This is a grotesque man because of the thought, because he is a colored man, and this manner is the son of the magical realism of the federation of all symbols, both in the world and in the image of Emilia Perez’s son. Three-story story, original, cocassa, probably even more stunning in these moments of cinema.

Audiard is without love and for imitation, which must be exposed. Most of my filmmakers, who use masters and talented specialists on stage, tell obvious images that do not miss the sacred images that are valuable on the big screen.

Short description: Sylvia is a social worker, she has a simple and structured life. On this day, Boulevard Lorsa Sola arranges a costume where she will be after the reunification of the ancients. Leur rencontre surprise aura un effect profond sur eux deux.

Conclusion

If the big glasses are installed in aseptic conditions, Audiard aura infin réussi infin à imprimer vraiment sa patte sur un americain Film. Emilia Perez remains an alienated delight, a film plus an aesthetic that is most political, which is unique in one impossible case with a ranger in one case.