Criticize the movie. Emilia Perez, what about Jacques Audiard’s latest film?

Retrouvez notre Critique Cinema. We saw Fernand-Joseph Meyer, Emilia Perez, Jacques Audiard with Zoe Saldana, Carla Sofia Gascon, Selena Gomez, Edgar Ramirez.

A boulevard film by Jacques Audiard, multi-premiere screening at Cannes in 2024, doit – avant tout Visionnement en Salle – être lavé des étiquettes-à-la-mode que des estètes de la ciné-doxa planétaire lui ont attribuées d’office. Emilia Perez will be “trans” (?) or “homosexual” (?)… Or, the hero invented by Jacques Audiard and her screenwriting accomplice in the “female loan”, Thomas Bidegain, the fictional and titular Emilia is just an impressive Mexican square girl. Versée dans l’humanitarisme, which can Least of all comes the operation to change sexuality, life is an integral femininity and doubles in the hypertrophy of male life when it disappears in the drug trade. Et, par ailleurs, la Bondissante Histoire que nous Raconte Jacques Audiard est tout au plus transgressive follement, en constant transitional narrative and innervation of heteroclites that mix similar Spanish phrases from Etasun conversations, le “sprechgesang” des opéras postmodernes et des resonances plus mythologies.

On the occasion of Emilia, declared Handyman’s Day. And when he arrived at Rita, the brilliant Mexican champion for the courage of her male counterparts, he was playing with the excellent Zoe Saldana (see Avatar), who, on a beautiful day, was caught on the street and transplanted into the Manitas renovation. mountains. In the interpretation of the magnificent Carla Sofia Gascon, a Spanish actress who switched from the sexuelle genre in 2018, a drug dealer whom the film’s make-up artists filled with virilism (sale gueule, Hyperpoilu, voix sépulcrale) lui offer d’organiser sa transition, d’Annocer son killat et de mettre sa femme Jessi (Selena Gomez revealed) in Un Jour de Pluie in New York by Woody Allen) and ses deux enfants in l’abri en Suisse. Read n’arrête pas de basculer et de trans… muter!

Latin American thriller, in the style of the transatlantic pole, general rhythm, like August melodrama and diaper for étonnante Bande-son, arranged by Camille and Clément Ducol, melodic experts do not value labors in the corsage (2022), le méconnu film “Austro-Luxembourg City” Empress Sissy/Vicky Krieps. When you hear from the band that all of Emilia Perez is on this tour in the studio, with no real problems. Jacques Audiard repeated plus prose about our emballer, about our edifier, for example, about vaginoplasty and how we make theatrical revolutions that do not work when moderated by le Tyre-Larmes propre aux mauvais mélos. De ce fait, on ne s’embarrasse Guère d’un éventuel procès d’intention à visée Moralisatrice car les spectaculaires démarches Charitatives d’Emilia Suite à sa Transmutation ne resonnent pas comme une Operation de Redemption (Judéo-Chrétienne ?) à l’ Egar de Lordur foot handyman “Emilia Perez” is the most purposeful and most passionate of the “Dedications and Violence” films that celebrate “ordinary humanism.”