Elizabeth Olsen: “January never wanted to continue or call back”

The host of the commentary “These are three girls”?

Without thinking twice that you are helping a theatrical play, the car is worried in a closed house or the almost total intrigue that you have entertained in the apartment. I’m glad I returned to this intimate film after all the big productions and took part in recent years. Among my debuts, I chose several independent films because my current films were passionate in dramas without jams, and they continued or continued. “Three Girls” follows the lives of three sisters as they navigate childhood and end of life in New York City.

Isn’t this a delicate moment for a popular actress like you in Australian drama and other roles?

Bien or vice versa. I value my interpretation and my work the most. This is a nice story about my tour in a film that doesn’t come across as a dealer! Take my first step into the cinema. Nowadays, product owners, working on a project, calculate the budget based on the sales of cinemas in the world and next time they come to chiffre au-dessus de sa tête. Rien de tout cela pour “Three girls.” We were on tour at great discretion, with no announcement or publicity before production began, and we were given permission to concentrate on our own choice: “notre labor des actors.” Bonheur!

Comment vous êtes-vous préparée with Natasha Lyonne and Carrie Coon, who embodied your two sisters?

We were hoping for four days of repeats, but then we hit the road straight away to three adoring script by Azazel Jacobs, who is also the film’s director. Pour Natasha and Carrie, like me, the main thing is in the script, and everything is extremely well written by Azazel. The most incredible thing is that nous ne nous étions never occurs with all three auparavants.

Do you expect them all to return to the character of Wanda Maximoff in the Avengers series?

This is a character that I love to embody and that I experience many times in retrospect if I find the most intelligence in the world of adventure. Finding good stories in these great diversions is the hardest thing, but if the scenes give me an original idea, I’ll happily return to working with Marvel.