Categories: Entertainment

“Elle revendique les droits des femmes et, à la fois, serait l’incarnation d’un objet sexuel pour les men”

Katy Perry is the embodiment of acidic, sexy and decorative pop music in an eccentric style. This is a lot of tubes, after which there are all the premieres of “I Kissed a Girl” (2008): “California Girls”, “Last Friday Night”, “Fireworks”, “Roar”, “Chained to the Rhythm”… N ‘en jetez plus, la liste est trop longue! All you have to do is have a mini-view of minutes of the pop star’s baggage—and legacy—with her recent performance at the MTV VMA Awards to be celebrated on the iconic tailor.

Pourtant, aujourd’hui, à l’heure de la sortie de “143”, new album (et seulement 6e en 16 ans de carrière), l’icône disparaît sous le vernis d’une image “contemporaine” de la femme feministe, à laquelle elle ne cordrait plus. This is a provocative tantinette, amené par son univers très coloré, pourtant toujours fait pencher la balance in favor of feminism and avant-garde forms. Il ya la thematique de son premier tube (elle “a embrassé une childe en soirée et a aimé ça”), une émancipation revendiquée de l’éducation très religieuse reçue de ses parents (tous deux Pasteurs), son activisme politique pour l’accès of -for the strange soins de sante and the rights of the community, this is the confidence in one’s own depression and others, and you, many of the images in the application in the video library, these are hints at some disguised feminist militant ideas. Everyone except Katy Perry is toujours passé par le jeu, par la denonciation à coups de stéréotypes rough détournés: de la glace qu’elle lèche langoureusement dans “Californa Gurls” au paroles de “Chained to the rhythm” or she compares les les hommes Lost zombie last time before the election of Donald Trump, passing by the clip plus the cannibal and the eroticism of “Bon Appetit” in the fairy tale “pleasant meetings”, this is her. But this is rather what is needed in order to refute the status of the woman as an object and promote women’s freedom. “L’émancipation sexuelle est feministe”, disait-elle in 2017.

What has it been like over the years for Katy Perry, among some of the beauties at the pinnacle of pop influence, so that today they can be confident in what they see?

Caused something bad to happen

Ce qu’on lui reproche depuis quelques semaines avec les sorties successive titles “Women’s world” and “I am his, he is mine”, these are my images and le disours les accompanying. Femininity, the passion of an artist who has never been in a state of ombre, must be confident that he will fight the women’s cause. “Plusieurs facteurs concourent à sa descente en flamme,” points out our sociologist Audrey Van Uyzel. « Elle aura 40 ans dans quelques jours et on toujours les femmes Quadras au Tournant. This is sexism, qu’on appelle interiorisé, a car for women that discredits and discriminates against them. Another key point is that Katy Perry worked on her latest album with producer Dr. Luke, whom singer Kesha accuses of rape. Et la, reproaching Katie for her lack of female company and lack of solidarity. In his sexy pose, he is a bombshell of the male gaze, embodying his righteous masculinity in all its glory. Et c’est très mal vu par les feministes: elle revendique les droits des femmes et, à la fois, serait l’incarnation d’un sexuel pour les men.

In clear, provocative sexuality, in a bikini, in a young body, in a presque quad, Katy Perry will receive the right to be a feminist in 2024. L’un annihilerait-il donc l’autre? “C’est très compliqué,” continues the sociologist. “#I radically changed women’s posture. In the “Woman’s World” video with Katy Perry’s voice whiskey, brandir un peu vetu, etc. Elle s’accapare also used the cliché of male masculinity pour en faire quelque, choosing a grotesque assumption, a caricature. Elle le fait pour provoquer. “She’s a brilliant mind.” But the world doesn’t understand the steps and doesn’t understand the pas de la meme style. “The car is not a plus in this caricature,” Audrey analyzes. “In general, I blame the others who appeared in 2010. Comme si elle n’avait pas vécu ces dernières années de feminisme.”

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