Printemps 2017; Monica Bellucci approves of the role of ceremonial matres at the Cannes Film Festival. Au-delà de l’aisance with laquel and anime l’évenement cult for the passions of seventy years of art, la plus Italienne des Françaises (or l’inverse) offers an unforgettable sequence of events: Celle de Son baiser torride with comedy Alex Lutz .
As designers of the mythical Grand Théâtre Lumière at the Palais des Festivals, the artists return to a different face. Monica Bellucci was outraged by Alex Lutz’s hair Think about mechanson from the film Claws on the egils Pedro Almodóvar. “Lâchez-moi, vous me faites Mal,” is Alex Lutz, in the role of the son, in the role of the tentative of his problem with the actress. “Laisse-toi aller”, she responds to sensuality.
It was a long passionate walk in a quiet and captivated room. When the duo finally separates, Monica Bellucci sends another greeting, Alex Lutz restores his vol avant de quiter la scène to the applause of the audience. A charming opera.
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Ce cinéma baiser does not represent flashback scenes in the works of Pedro Almodóvar. More female and male roles are usually attributed to inverted cinemas: this is Monica Bellucci, who I understand. La scène fait mouche.
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This momentary plain de fugue is not a pause without a trigger and another buster that is on the scene of the preceding anniversary ceremony. Alors que Laurent Laffite, master of ceremonies who gave the speech, Catherine Deneuve arrived on stage and he demanded “Am I coming?”, expecting a long embrace. Spread without words.
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