Julien Doré talks about the creation of the new album: “J’étais en claquettes, chaussettes, jogging bleu et là, Sharon Stone has arrived”

In a crocodile combination attached to the hood of a car entouré des L5 or in the studio to share a duet with Sharon Stone, Julien Doré authorizes everything, so much so that ça l’amuse. After 17 years before his career, il revent with his sixtieth album entitled Impostor (available November 8). A name reminiscent of an enemy that is disliked by those who debuted in crochet New starwhich voyaient mauvais oeil l’arrivée a daring candidate of talent and courage. In an era, repetition My Lolita Avait fait grand bruit. Elle figure in Art Nouveau style tracklist The album contains repetitions of cult and popular songs that pass through generations, de Murir on stage To Woman like you on the way past the incomparable Demons of Minuit. Meeting the singer who defined the absurd dictates of “feel good” in order to sanctify collective emotions.

Vanity Fair. Pourquoi avoir ce titre, Impostor ?
Julien Doré. This is the first moment that I am in the Nova era, I am 17 years old. It seems to me that I, a qualified impostor, je débarquais avec des reprises qu’ils jugeaient provocantes. I don’t know conscience in this era. This is me, a young man who has benefited from the existence essay format. C’était peut-être le cas, je ne sais pas. Aujourd’hui, je m’en amuses: tout ce que je fais artiquement, je le fais parce que j’en ai profondément envie.

Is this also a façon de l’imposture in the artistic environment?
Ce mot dit quelque chose de notre époque. Notre monde est bête, cruel. It’s our fault for everything: environmental issues, political choices, careers, passions… Ça renforce et ça Diffuse le Syndrome de l’imposteur. In the end, in the end, the fun chooses what we arrive because this impression is not a merit. I also have an idea to discuss the question of legality with this album, which repeats very happy, cool and beloved songs. On the conversation about legitimate creativity, most of all in life, the moment you go to this planet, deviating from all the forces for it. And don, he became an impostor.

What is a lesson you’ve learned in the last 17 years of your career?
Quoi qu’on fasse, on ne maîtrise pas le result. On the other hand, you can decide or choose whether it will be a function or an evaluator. I am convinced of my inability to say that the work is finished. I accept all that is needed at the moment when my work is a test of correctness in order to share and trust others. A week later I find out that my eyes have changed in arrangement, in note. I make money from concerts to make a difference in lives. With experience, I include those lessons or small bets that allow better choices to be realized.

Do you want to reimagine the songs, repeat your album, or pay homage to the originals?
I cannot allow the right to sing these songs that I love for you. I envy my souvenirs that will delight others. Je fais ces reprises à ma façon, bien sûr, most of all in the fair’s items that appeal to collectible souvenirs. When you reproach Les Demons de Minuityou turned to ordinary souvenirs that are part of our childhood. Pareil pour Pull Marine d’Isabelle Adjani, who was the manifestation of childhood sensations. In fact, you have made an album of reprises with all your lorsqu’on chante sous la douche, dans la voiture or en allant courir – à ceci près que je travaille pendant deux ans avec beaucoup de soin sur les arrangements et la musicité puisque c’ this is my passion . À ceci pres, aussi, que je ne cours pas. I hate it, it’s a pleasant tiredness.