Moments spent with Reggiani, Monica Bellucci, Claudia Cardinale… About “De vivirs voix” by Marc Lambrone

ORne soixantaine d’entretiens avec the greatest great artists of the last half century, parus pour la plupart in “Le Point” and “Le Figaro”, regrouped in the sections of individual fields of creativity: Voix, Actresses, Deux Acteurs, Italiennes, Hollywood, Rock Lady, Fashion , Photographs, Shapes and Écrivains. About 500 pages or subtle attention to the circle of words, signs, reactions and silences.

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ORne soixantaine d’entretiens avec the greatest great artists of the last half century, parus pour la plupart in “Le Point” and “Le Figaro”, regrouped in the sections of individual fields of creativity: Voix, Actresses, Deux Acteurs, Italiennes, Hollywood, Rock Lady, Fashion , Photographs, Shapes and Écrivains. About 500 pages or subtle attention to the circle of words, signs, reactions and silences.

Poetic Embardei

An intimate pantheon or the feelings of a regional formula, or poetic insertions are a refusal to conclude. On and perçoit compassion plus helpfulness; l’admiration plus l’épate. And même la timidité de l’homme face à ces légendes vivantes, which “ont formed us reves”. Ainsi notre académicien definit-il son ouvrage comme “un florilège de circonstances ou de préférence, un carnet de bal de bal de talk of mythology.”

Comment Résister au plaisir de le citer? In the words of Serge Reggiani, “ce seigneur is sensitive to the modesty of perfection”; Fanny Ardant, “The Woman Looking You in the Face”; Charlotte Rampling, who explains that “sa sœur en disparaissant lui a fait un don de profondeur.” Italian actresses, storytellers Claudia Cardinale and Monica Bellucci, who became harbingers of reputation, hidden in insight and simplicity. Sans oublier la lucidité Faye Dunaway, commentator of l’absence de privauté: “This is the work of the paparazzi of me as a chaser, this is what I defend.”

Tant d’intelligence, ce n’est pas common

I am also a comedic character who seeks opportunities to experience beauty and intellectual knowledge; d’autres, if breaks in the exercises that lecteur reste sur sa faim, et enfin celles qui se tennent au bord de la disparition… grâce et émotion. Mention a “special hobby” with Françoise Gilot, who speaks in his atelier, sovereign, detached, spiritual, do not speak of malice. Tant d’intelligence, ce n’est pas common. The Ebloissants talk to the men, Sami Frey, Daniel Auteuil, Karl Lagerfeld, Jeremy Irons, Robert Redford. And the most passionate encores with the most magnificent lyrics: Alberto Moravia, Tom Wolfe, Martin Amis, William Boyd and Mario Vargas Llosa.

Françoise Gilot, souveraine, détachée, Spirituelle, dont la talk regorge de Malicieux sous-entendus

Chemin vers l’inériorité

If the book is very interesting, you can’t imagine taking a long time to prepare for an interview this decade. In order to distract from the wickedness, Marc Lambron begins to awaken the relevance of the artist, creating passers-by with previous experience, peu à peu, in a subtle brilliance, chemine vers l’interiorité and peint le mouvement à la manière d’instantanés, pour refusal of what which is inexorable.

Mémorialiste à sa façon, tenant de saisir la complexité humane, toujours troublante, never deciding, knowing a secret about his son. Celle-ci s’écoute tout autant qu’elle se ressent. The return of people, arracher les masks, and the content of light, athin de serner au plus pres l’intimacy of the character himself is also part of the universality.

Une reussite.

“De viva voix” by Marc Lambron, ed. Grasse, 512 pp., 26 euros, e-book, 17.99 euros.