“My greatest memory is lost”

Huitième film by Michel Franco. MemoryTogether with Jessica Chastain and Peter Sarsgaard (awarded with a prize for his interpretation in Venice Bridge), revisit, in the spirit of the light of the #metoo movement, the topic of sexual violence that has irritated two prime ministers (Daniel and Ana2009 and others After Lucia, 2012). This is a new question about harm, trauma, the power of silence, but most of all it came to us in a meeting with Sylvia, a social assistant, and Saul, an old son of the Lyceum, prematurely introduced to Alzheimer’s disease. , contributes to the creation of the film “Très ancre dans son époque une petite merveille qui n’a rien à voir avec le jeu de Massacre qu’on voit si souvent”. Cineaste broke into the genre with this film that depicts the delicate recovery of traumatic memories through a love story during ordinary hours.

The exit point of your film is just before the exit form ends. What is the launch channel of this voie plus lumineuse?

When you write a script, you know the story, but you don’t know what you’re commenting on. I began by imagining the scene of Silvia and Saul meeting with the elders of their elders. Je savais d’emblée que c’étaient des brisés. I can imagine that I saw a film about people who live in love, at a point late in life, this is very rare. I accept this idea as long as it exists in cinema. C’est pourquoi on ne comprend pas pourquoi il lasuit… Si j’avais voulu faire un movie doux sur un sujet sombre, cela aurait definition sonné faux.

Sylvia is a fait accompli in the rape of a teenager. Thirty years later, living with trauma, protecting a teenage girl, clearly aware that someone has arrived… What is the truth that you gave me the faith of a person who took the #metoo step?

#metoo m’a peut-être influenced by manner or d’une autre, but most of all I want to see my second film, After Lucia, 2012: the story of a young girl, filmed with sons and daughters who are sexual relatives. She is incapable of experimentation and is not a protégé either at school or at home. J’ai toujours is of interest to the main female characters. My movie meme Chronicle (2015) Avait d’abord été écrit pour une femme avant que Tim Roth ne suggère qu’on work ensemble. I am most interested in women who love communication, everything you need and everything you need. It was an evening 20 years ago when I saw films by my favorite filmmakers, Luis Buñuel, Ingmar Bergman and meme Lars von Trier and Michael Haneke.

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