Jaws Released on Netflix May 19. An incident that took place in Quentin Dupieux’s universe of career-defining films.
Double relevance this week from Quentin Dupieux. Après avoir marked the Cannes Film Festival with an overture, this is Mardi on May 14th with Second actFrench producer, connoisseur of absurd cinema, voit désormais son Film, Jaws, download on Netflix. In fact, the darkroom slate of long-form films will get new life on the platform in 2021, giving subscribers the opportunity to discover Dupieux’s universes.
Il faut dire que Jaws It’s definitely in a film career. I presented, after the Covid-19 pandemic, the day of the renaissance of cinemas, a film that can be seen at the big Quentin Dupieux festivals. The car before the conquest of Cannes, this year, is a la Mostra de Venezia, where the implementer is also the son undergoing a brilliant casting. Entourage of actors; duet Palmashow – Gregoire Ludwig and David Marsay – Jerome Niel, India Hair, as well as Adele Exarchopoulos; Quentin Dupieux available Jaws
At the world’s major film festivals, the film received a total of 235,824 entries during its seven-week French release.The film is open, in the atmosphere of the future of the halls, with an audience inclined to new proposals, and a cinema of meta, fantasy and absurdity. Success Jaws Explain also, regarding the distribution, the reunion of Grégoire Ludwig and David Marcais in the respected roles of Manu and Jean-Gab, two idiots who go astray from the sketches of humorists and who, in the font le paris fou de vouloir, dress ine mouse, athens de gagner de l’Argent.
The casting finally sees the return of Adele Exarchopoulos, in a role full of opposites, jokes and expectations. L’actrice incarnait Agnès, a young girl from a good family, suffers from voice problems. À elle seule, la comédienne a su convaincre le public, mais aussi le surprendre à travers plusieurs désormaiscultes, volant ainsi la vette aux deux têtes d’affiche.
Particulièrement linéaire, épuré, mais also rempli d’un fraîcheur bienvenue, Jaws represent a bastion in the filmography of Quentin Dupieux after the first essay with Le Dime (2019), ported by Jean Dujardin and Adele Haenel. Non seulement, il montre la volonté des spectateurs (et abonnés désormais) d’aller vers des propositions étranges et inattendues, but il parvient also the author of the simple postulate of the reunification of distribution, as well as the heteroclite, which is brilliant, which finds in the recent creation of Dupieux, the territory holiday games.
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