PAUVRES CREATURES by Yorgos Lanthimos: film criticism
Name : Poor things
Pere : Yorgos Lanthimos
Date of Birth: January 17, 2024
Type: foray into the hall
Nationality : USAGE
Taile : 2h21 / Poids : North Carolina
Genre : comedy, drama, fantasy
Family book: Emma Stone, Mark Ruffalo, Willem Dafoe…
Special features: Uniquely brilliant.
Short description: Bella is a young woman groomed into the lifestyle by the brilliant and orthodox Doctor Godwin Baxter. Sous sa protection, elle a soif d’apprendre. To discover a world where everyone ignores him, he comes into the world with Duncan Wedderburn, an experienced and depraved lawyer, and sets off on an unforgettable odyssey across continents. Impervious to the prejudices of the era, Bella is determined not to submit to the principles of equality and liberation.
A CERTAIN RELATIONSHIP TO SUR LE MONDE
NOTRE-AVIS SOUTH POVRESSIAN CREATURES
What story! Quel cineaste! What a comedic actress! And the combination of these three exclamations in one four-hour film: quel Film! Ou plutôt, quel très grandfilm! Passage of this story about sexual changes, sex, naivety, socialism, patriarchal dominance, traveling the world, love, love, free feminism, exploitative relationships, violence, vagina, life and experience, Yorgos Lanthimos signs the film huge, constamment nourri par des reflexions sur l’état du monde currentuel. The revolt of feminists and capitalism riots on the aisle with a sweet respect that helps me preserve the spirit of life in humanity à la dérive, Poor creatures This is a master class where you never know what kind of intelligence you have.
Peu à la maniere Edward o Maine d’Argent, Poor creatures This is an open world odyssey. Porté par la iveté chère à son cerveau de nouveau, not in the adult building, Bella did not break the pas de dous. This is a new page that cannot be given an encore and is conditioned by norms, ideas, a vehicle. Elle va ainsi observer of the world when he tours, this is a direct contradiction of elementary logic. La violence, la pauvreté, le patriarchat qui a peur, la revolte des femmes soumises, l’innocence perdue, la cupidité, lesnors que que entrevent la liberté, tel est le tableau qui defile sous ses ses yeux plongés dans l’incontehension. Décalage entre sa candide fraîcheur et la realité du monde qu’elle appréhende sans avoir les codes, va naître des momente de grande drôlerie. Des moment d’une grande crauté also. However, Lanthimos comes true in prison, reflecting the thoughts that dictate our conclusions and the nonsense that dictates the march of peace.
A lecture on the Frankenstein myth in modern allegory, Poor creatures This is a film of contrasts, à la fois fou et lucid, magnificent and angry, funny and smart, radical and accessible, complex and simple, triumphant and uncomfortable, cruel and moving. Yorgos Lanthimos’ best film today. Unlike Emma Stone, as always in my days of injustice, her hallucinating performance deserves an Oscar plus merit. She brings her inquisitive dedication to a role full of fantasy film magic that is original, inventive and unexpected. Science fiction and fantasy cinema has become a rare phenomenon.
Couple Nicolas Rie