Report “Je verrai toujours vos visages” from César des lycéens: bravo!

Who wasn’t happy in the end Je verrai toujours vos visages ? For a three-meter long meter, cinematic Jeanne Herry dives into the concept: restoring justice. Since the French law in 2014, this special protocol consists of reuniting the authors of the cases and the victims. Everything is fine when I approach it. Echanger, ensemble, for repair. Oops. In general, the film did not provide a complete answer.

And so many things. The actress announced the casting for four actors (Miou Miou, Leila Bekhti, Gilles Lellouche, Elodie Boucher) with the outstanding performer Adèle Exarchopoulos, who will be most generously awarded on February 23: comedian O César Sacred statuette for best actress in a supporting role. More Je verrai toujours vos visages

And now you have several nominations.

Tout du moins, jusqu’à aujourd’hui! Car with choral drama very reasonable wind d’être couronné… par le César des lycéens. Il su parler aux jeunes générations – or tout du moins, à ce a jury composed of 2,286 final graduates, graduates of the Lycées of France. A small victory for creativity that had been overlooked.

“This film needed beautiful documentation.”

Surprise! Alors que tout le monde attended by Justine Triet or Thomas Cayley (Animal region) au Tournant C’est Donc Jeanne Herry, who reports on the statuette. Merit? Yes. Car l’on y trouve notamment les partitions for talented comedians, not Adèle Exarchopoulos is not suitable for characters following a parallel trajectory with others, jusqu’à Retrouver Son Agresseur l’espace d’un échange Intimate Dont la Force est Place Scier Bien de public.

The best vehicle in this film is the continuation of the son’s intention – a nonfiction-style kiss of truth. Terrafemina, film accuracy: “Documentaire je ne sais pas, documenté c’est confidently (sourire). The film requires a lot of documentation and will not be able to understand the protocols associated with the device. This first phase came to pass when the events accompanying, de ceux qui font, which restored justice to France occurred, and he thought that this device was very accurate.

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“Now it is known that I have added the most information. But I also met some of the victims and authors of the offenses to understand the comments of these people who feel safe in the parks, se that he can cross, leur chéminement. I’ll tell you about trajectory sorting. Glaner des témoignages m’a également Permis d’Essayer de Trouver des Marqueurs Communes du Côté des Encadrants, as victims. Il s’agissait par la suite de mettre de la Fiction dans un reel qui est déjà très romanesque“.

All the work on stage, during the writing of the script and shortly after it, is necessary to express this sense of sociological truth and humanity, which is ready to embrace the text in the spirit of the film “extreme dialogue” – mais où les quiets comptent all authentic. Release parole, et de l’écoute, tissent leur trajectoire au coeur d’une oeuvre Engagee et multiphonique.

“Ce qui est frappant chez les victims, c’est ce sense d’enfermement: comme une intérieure intérieure. This is also what some authors survive. Pouvoir parler, if this is well understood, then this is partly sorting, this is not three liberators. Il ya beaucoup de chooses liberaire“

“Cesarise” has been done, but more actively. So many things.