Categories: Entertainment

Review: The Outrun – Cineuropa

– BERLINAL 2024: In this adaptation of Amy Liptrot’s autobiography, Nora Fingscheidt sends Saoirse Ronan into the park of abstinence, which is not a consequence of alcohol, but of directing.

Saoirse Ronan in Outran

La bourrasque fait trembler la maison. La verdure couvrant les pasages rocailleux est trempe par la bruine. Les uncertainties heurtant les falaises éclatent en fine gouttelettes offering a magnificent ocean spectacle. Les iles de l’archipel des Orcades, en Écosse, sont splendides, etc., le spectateur va largely avoids the occasion for viewing. C’est qu’elles sont, after all, the refuge of de Rhône (Saoirse Ronan), which came from the tenant of Chez elle Après Dix Années Charges de Drogues et d’alcool in London. Son objectif est de vancre are passions.

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Shortly after premiering at Sundance plus this year. Outran (+also read:
interview: Nora Fingscheidt
movie file
)
adaptation pair Nora Fingscheidt best selling memoriesAmy Liptrot, the wind of the fair at the European premiere in the “Panorama” section of the 74th Berlin Festival. Liptrot, circa 2011, chronicles his years in London, living more of a life without restrictions but with plenty of addictive substances. After completing a 90-day detox program (an attempt at violence after a night of excess to end, looking at the years), she (through the eyes of Rhona, her alter ego in the film) finds herself in Orcades before her. échapper à tout cela: à la temptation, à la depression, which is the cause of la ville. She couldn’t be happy when Rona came at that moment. Its mission is to enable us to find an object, a project of existence, that will contribute to security.

In the Orcades, the viewer sees the premiere of what the Rhône means, as well as the abrupt transitions to the terminals of the manner. If Fingscheidt refrains from waiting for places, plus treasures of the British Isles, such as lonely and boring, at a meeting with the father of Notre-heroine (Stephen Dillane), schizophrenia and bipolar disorder, qui passe constamment, sans crier gare, de la gentillesse aux insults, etc. inversion. Et puis il ya la mère chrétienne evangélique (Saskia Reeves).

Fingscheidt, who co-wrote the film’s scene with Liptrot, avoids ici de, suggesting the rigor of a linear reading. “The History of the Rhone” is a story passing through a collection of ideas, souvenirs and clues, which allows the viewer to déduire lui-même certain revelations later, c’est-a-dire, qu’il remet constamment en question l’image qu’il a de celieu et de cette poignée de personnages.

Ceci étant dit, la manière dont l’intrigue fait des Bonds dans le temps, couplée à l’intensité du moment, peut parfois submerger le spectateur et le faire décrocher. And if Ronan proves that this is a new film that is beautiful and beautiful from the best actresses of our generation, the film offers a trope of trope. Once you understand the many sur-le-passe-de-Rhône, you will most likely realize that you know what a tete-te pass is. The choice of Fingscheidt to search for an extremely dynamic camera that simulates the vision of a bruille et defaillante of a man dealing with substances and which does not allow him to get to the place where the heroine son lives.

Conversations about drugs and alcohol are a topical issue, and the old connoisseurs have a chance to survive in life sane and alone, like the whole d’Amy Liptro, but more in the ensemble, le The film was not big, chosen as a proposal plus that supporter attitude (“elle y est arrivée!”) noyée dans un récit inégal. Fingscheidt a bâti sa carrière sur des portraits of female characters, prisoners of mental and social circumstances, most of all Benny (+also read:
criticize
Bande announcement
interview: Nora Fingscheidt
movie file
)
the film that has been released is available on the direct network, Outran fait plus l’effet d’un amas d’idees censées fonctionner toutes seules. This message deserves to be held close.

Outran It is produced by the British companies Brock Media, Arcade Pictures and MBK Productions in association with the German Weydemann Bros. Protagonist Pictures is handling international sales for the film.

(L’article continue plus bas – Inf. publicitaire)

(English translation)

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