Categories: Entertainment

Ryan Gosling and Emily Blunt, duet in the photo

AboOuting to the cinema

Ryan Gosling and Emily Blunt, duet in the photo

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This is the fulfillment of the Barbenheimer phenomenon, the two-body monster that brought box office success into 2023, electrified the Oscars and saved Hollywood in crisis. Ryan Gosling, aka Ken in Barbie, and Emily Blunt, Kitty in Oppenheimer, three supporting roles in these films in the background of the top of the poster in The Fallen Boy. Le Canadien et la Britannique formed a pair of charismatic cinema in an irresistible cocktail of action and romantic comedy in the glory of seven-meter art signed by David Leitch.

In this situation, the 43-year-old actor and embodied Colt Seavers is a stuntman, traumatized by a serious accident, who is on duty to try to win back the son of his ex. Backed by a 41-year-old English comedian, Jodie is leading a chaotic tour of a sci-fi film called Metal Storm. Featuring original vintage tape and 1980s lines, “The Fall Guy” exudes a nostalgic flavor. Ryan Gosling and Emily Blunt returned to the Berlin palace.

The film’s environment is at the heart of The Fallen Boy. Comment ressentez-vous la Production d’un Film Aujourd’Hui? Has Na-elle changed in 20 years?

Ryan Gosling: I appreciate a lot of plus qu’autrefois and I thought that was the message in this film, that it is a love letter about the seven arts, about our crafts and about my experience in cinema. The Fallen Boy pays tribute to the team, the direct teamwork of making a feature film, all the people who have no talent and are not pas reconnus, and the joy of touring. .

Emily Blunt: I love what each film represents. It’s strange, I hate taking risks in life, but this tournament allows me to put myself in danger.

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Ryan, this is the first time you’ve had a cascade at a premiere. What do you like about this profession?

RG: Que ce soit avec “Drive” or “The Place Beyond the Pines” or I play in another cascade genre, I know that’s what I know, maybe I don’t know what to do. Devenu is an actor. Il estrange de voir un cascadeur prendre des coups pour soi et plus de risques quiconque sans qu’on ne voit only son faceage.

Avez-vous mauvaise conscience, because you retreat from the glory of these cascades?

RG: C’est vrai, according to our attribute tout le mérite. There is no Oscar for cascades. Il faut que ça change.

Your characters are constantly under pressure. Ce sont des pros qui font de leur mieux dans los pires, possible circumstances. Is this a film fair?

EB: So, the tournaments for these budget films are chaotic, but most of all they contribute to the magic of cinema. He doesn’t like superficial films, but there are more positives. Yes, the tournament is a spectacle, and the plateau is a trio-special place, like an isolated island. He develops friendships at an accelerated pace because it is implausible to sort, etc., which is incredible.

Hollywood is suffering from a pandemic, horrors and film failures. The phenomenal success of “Barbie” and “Oppenheimer” came as a surprise to the whole world. Are you charting the direction of the film industry and commenting on the fair return of audiences to theatres?

EB: Les gens ont envie de s’asseoir in a dark bedroom and life, an experience, complete immersion. I hope creative people continue to strive to make original films. I’m huge at movies.

RG: These two films are the epitome of brilliant filmmakers producing three-shot work for a great screen and a great audience. Christopher Nolan watches his films in IMAX because he sees what you see in IMAX. Greta Gerwig created Barbie as a post-Covid quelle chacun party. And the genus is Venus en masse. This is very encouraging. In fact, The Fallen Boy, in the public’s mind, in our demanding comments, is a film that deserves to be returned to the theater, to find a babysitter, to pay for parking and popcorn.

Watch: David Leitch’s The Fallen Boy with Ryan Gosling, Emily Blunt and Aaron Taylor-Johnson (2 hours 06 minutes). On sale from May 1st.

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