Felina, sporty, fatal and sexy: in Colombia, grade in 2011, two and after lunch Avatar, this is ainsi qu’apparaissait Zoe Saldana, débarrassée du masque numérique of Neytiri, James Cameron’s imaginary princess. Latin American translator Cataleya, an orphan from Bogota who, as an adult, wants to avenge her drug cartel killer parents. In a sense, little South America Nikita
created in 1990 by Anne Parillaud using Luc Besson’s camera. Colombian, a work by Besson, realized by Olivier Megaton (Taken 2 and 3), with courses-poursuites, destruction from spear-rocket, fights in the main places, shots on goal, dents and napkins in the bathroom… Bref, un film that is stored. Et l’action, Zoya loves: “À l’exception for Angelina Jolie, ce sont les men qui jouent des pectoraux in this genre of films. En tant que femme, j’en revais. C’est quand même mieux que d’être cantonnée au role de la demoiselle. As a child, I didn’t play princess: I’m a ninja, Sarah Connor from the Terminator or the beautiful Wonder Woman.”“J’étais hyperstress”
This is Olivier Megaton, who suggests the name of Zoe Saldana and Besson: “Elle était le meilleur choix, car on ne l’avait pas encore vue exercer pleinement l’étendue de son jeu à l’écran. Elle n’est pas seulement belle, elle a du cœur et une volonté à toute épreuve.”
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