Grand Jury Prize at Cannes in 2023 and Oscar for Best Film “The Stranger” in 2024, ce Drame Dérant, signed by Jonathan Glazer and broadcast on March 5, 2024 on Canal+ at 21:10, from the same person indifferent !
Glaçant, marquant, dérangeant, bouleversant, monstrueux… qualities that beckon for awakening. Area of interestthe true electroshock cinematic debut of the year 2024, broadcast on March 5, 2024 at 9:10 pm on Canal+. The film is also available on the platform MyChannel. British director Jonathan Glazer, who left Scarlett Johansson in a beautiful, natural world Under the skin
, and tells about the horrors of the Shoah, going through the daily life of the commandant of Auschwitz, the SS Rudolf Höss and the woman Hedwig, embodied with autant de frieder, the talent of one of the comedic actresses Sandra Hüller, the best actress of César 2024. Anatomy of a shot.A flower garden illuminated by the rays of the sun, pots, a swimming pool. With extensive property and property, the Höss family was happy. La maison ne souffre d’aucun vis-à-vis si ce ce n’est un grand mur, derrière lequel la mort regne en maître, puisqu’il s’agit du Auschwitz concentration camp. But the blows and blushes of the fours, the cries of the victims, the fiery blows did not disturb Hoss’s peace, à l’inverse de la notre, profondément troublée. Through his remarkable work (2024 Oscar-winning), Jonathan Glaser greets audiences with utter discomfort and terrifying concentration, without even observing the image directly. Une plongée dans la “banalite du Mal”, to reproduce the words of the philosopher Hannah Arendt.
The film doesn’t stop at showing the daily life of a Nazi dignitary and whatnot. He was interested in the industrial activities of Shoah. A private view illustrating this logic of productivity has long been varnished in the words of Rudolf Höss and his colleagues, the author of the table on the struggle for deportation in Hong Kong of 700,000 people. “pieces” pour parler des juifs. Une Froideur que l’on Retrouve d’aileurs dans une scene que son cinéaste qualifie de “static, implacable, dispassionate”. The aesthetic part is a combination of ambitions that makes the atypical decision more risky for some spectators on the shore. And perhaps it was a form of experiment and son sujet éprouvant, Area of interest
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