“Travailler avec lui achange ma fri. » Terence Davies with Rachel Weisz, Tom Hiddleston… – Magazine

dEpuis le milieu des années 1970, the British cinema of Terence Davies represents a unique work in its genre, intime and buuleversante. These works of art are similar to organic mutual understanding in the narrative, reflecting the processes of memory (The Terence Davies Trilogy1976-1983), des souvenirs d’enfance et du times qui passe (Distant voices, Still lives1988,A long journey that I have reached1992), as well as creative matters (Emily Dickinson, “A Quiet Passion”2016, etc.Siegfried cardswhich is present at the Pompidou Center le 1^uh Mars, at the forefront of the foray to Mars 6 prochain). Ports for the scene of mise-en-scène, pairs of different textures, these films also represent a plongée dans le passé et la culture ouvrière de son Country natal, particulièrement de la ville de Liverpool ( About time and city, 2008, are unique documentaries), envelopes of popular music, classical music, à la fois marqueur historique et émotionnel. If you created a poignant self-portrait of a filmmaker, his passions and his torments, the fruits of a difficult childhood and the torture of homosexuality, then it was done in order to become a terrorist. These elements mark the premiere of the film, which is purely autobiographical.

The screenwriter of all these films, adapted from some classic works of Anglo-Saxon literature (Neon BibleJohn Kennedy Toole, 1996Chez les heureux du monded’Edith Wharton, 2000Deep blue SeaTerence Rattigan, 2011) found history in marginal characters, where they lie in a series of magnificent portraits of embodied women of some great actresses: Gena Rowlands, Gillian Anderson, Rachel Weisz, Agyness Deyn, aux Côtés de Tom Hiddleston, Simon Russell Beale or his deputy Jack Lowden . Working with the cinema of the marquises. Ils et elles Racontent.