Avek CyclistsJeff Nichols is pleased with the work of photographer Danny Lyon to help him explore the borders and us in the depths, cette fois-ci, in a gang of motards in the 1960s, in different countries, in a fascinating and crowded incarnation.
In the morning and after lunch science fiction movie Midnight Special (2016) Jeff Nichols returns June 19 with Cyclists. In this new long-form play, the American director and screenwriter decide that it is Johnny, the charismatic leader of Grace and Tom Hardy who returns to the character of cruel decor, dark and torturous – an aura that he has cultivated since his debuts. que ce soit dans Bronson (2008), Warrior (2011) or an encore in the series Peaky Blinders (2013) and others. Taboo (2017).
Si, depuis quelques années, a british comedy written from superhero films that went through the horrific and tearful Bane in The Dark Knight Rises (2012) in your mind Eddie Brock in the saga IJeff Nichols’s opera is a two-night Sunday in the usual sense, masculine but more fragile. In the American implementer’s cell, Tom Hardy has changed his partner in the game and also become Austin Butler’s man (Elvis
, Masters of the Air, Dune, the second party…). The new face of Hollywood incarnate Cyclists Benny, a brunette, will talk to Katie (Jodie Comer), a woman with a hardened character and a Southern accent, every four days in front of a white background.This is the trio and the gang of motards who developed the whole ensemble, photo by Danny Lyon, the famous photographer who, in the years 1960, an entrepreneur, in the frames of the university project, de imitator on the route of vandals. This work, inspired by Jeff Nichols Cycliststhe machine, the image of the artist, the implementer will pull out a portrait of these heroes of America, full of charm and love.
Like a sequence of clichés collected in Roman photography, the scene metter is built on sequences with unique and autonomous scenery. On the same day, you pass by the QG bar at a motorcycle convention or in a parking lot controlled by the Compte Reglement, without a genuine deposit. As Nichols voulait Souligner deincarnates his subjects.
The car is good for what it is. In a long-term journey, a film by Jeff Nichols EasyReader desappointed, lost in their motives, like mechanical ghosts in the midst of glory and misery, in the quest to give a sense of existence. From laissez-faire, from margins to incompatibilities, this is the subject of new film by Realist who, thanks to this project, has a mania for interviewing, this obsession with the son of cinema, but still remains aloof from the search for these modern antiheroes.
Ainsi, the fate of vandals on a mobile phoneoutlaw from Mud: South of the Mississippi Rivers. (2012), masterfully portrayed by Matthew McConaughey, “Tandis que la sensibilité, la folie et la violence” by Curtis LaForche (Michael Shannon) performed Find shelter (2011) went down the gallery of characters explored in Cyclists.
Passing by, Jeff Nichols also interrogates “America in what concerns plus violence, extremes and purity.” Ce dernier trait Rappelle Alors LA, figure du Motard in the cinema: EasyReader. Indeed, the film, ported in 1969 by Peter Fonda and Dennis Hopper, reflects the American tradition through the relationship between Wyatt and Billy. Or, in the style of différence d’EasyReaderJeff Nichols rejects the sous forme de fresque film developer’s son. I prefer monotonous shots of disjointed scenes; the choice of artistic logic, which can be linked to a successful script.
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In fact, this long-legged couple is already history. The impression of a fresh aura will undoubtedly give greatness to its people, which is developing in a series of clichés, between ultra-dangerous virilism and Bad guy sensitive; symbolism that represents the entire long film, everything connected with the pledge.
If the duo of Tom Hardy and Austin Butler expects us to revere, our love will be superficial, but it will be like heavenly awe and the present moment between Benny and Katie. Embodied by Jodie Comer, the cell of scenes represents the limit of absurdity with Mike Feist, who wants to find the best solution in the world of famous photographs.
I missed the casting of five actors, the power of the long meter, living in the vanguard of obsessions of Jeff Nichols and others. ‘ Deep America. Using the effect of photography as an element of mise-en-scène in the conceived scene, the implementer did not reflect it in some sense; in an hour or in États-Unis Apparaissent de plus en plus fracturés.
In addition, the long meter does not allow us to go to the landing in the cats-de-phantoms, between the section codes and the relationship. bully. In some moments of emotion, in the forests of male characters, slowly kindling light or fury, flashing beauties, the film takes advantage of the cliché, the superficial sur l’univers des large cylindrical plutots that personify the free spirit EasyReader. Cyclists until the fuel runs out and the light comes out onto a denser, more compact film.
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