Who is Carla Sofia Gascon, the revelation of Emilia Perez, written by Jacques Audiard?

The actress is one of the most popular festival goers, especially with stars Zoe Saldaña and Selena Gomez.

Our writings are here just at that moment Emilia Perez To my surprise he published. Jacques AudiardrealistProphetwhich won the Palme d’Or in 2015. Difanit seems like a good idea to hand out a new prize with a prize at the 77th Cannes Film Festival. Et pourquoi pas celui de l’interpretation of women’s interpretation?

Zoe Saldana and etc. Selena Gomez Sont Super, this film is a mix of thriller, musical comedy and polar codes, but the best actress is the one who bluffs, advertising le monde hier soir, c’est Carla Sofia Gascontransgender comedian starringEmilia Perez : an ancient Mexican trafficker who decided to change his life and gender to become a living woman. When press conferences are held at the end of the month, these are the girls who ask the most questions, along with the movie.

“Sans mauvais jeu de mot, Audiard mixes genres, between Annette and etc. killerand alternate moments of dance, violence, laughter and laughter in the mastery of flirting with ridicule, écrivait-on immediately after projection. Spanish trans actress Carla Sofia Gascon, who stars Manitas del Monte/Emilia Perez, is the revelation of the film. And Zoe Saldana has all the Spanish-language and down-to-earth roles that aren’t part of the Marvel canton or motion capture.

“Drugs, violence, genre shifting… Emilia Perez is completely inscribed in the era when more is available, the plots serve the film and vice versa,-tone also written regarding this original work. There are no traces of conversations, messages to passers-by. Just cinema. What is cinema. It is a smooth scriptwriting process among many repeated connections that are productive, and it is the first degree, assumed and told in the era of royal cynicism.

(…)

After all, you also filmed the incarnation of your heroes. The common feature of all Audiard’s films is the cell that released Tahar Rahim, Karim Leklou, Reda Kateb and offers some of the best performances from cameramen Marion Cotillard, Vincent Cassel, Romain Duris, Matthias Schoenaerts… Discover the foregroundEmilia Perezon the feeling of rediscovering Zoe Saldana, superstarAvatar The man who was before Audiard did not trust him with the role of the Australian rich man in the plein air and delicacies. In these moments, although in a more secondary role, Selena Gomez shines, she is also de mille feux in the role of a woman of will who came to tragedy. But in this trio, she is already a prominent figure. The actress who is destined to become a baskul on May 18, 2024, Carla Sofia Gascon, who, like the character who is incarnated, is also a man before her transition in 2018. Since she is on the screen, everything foreshadows another dimension. These are the characters, the shots, their partners, a story that is not connected to each other.

Her in Madrid in 1972. Carla Sofia Gascon In fact, it changed in 2018, after thirty years of varied experiences in the Spanish audiovisual environment. In 1994, for example, I participated in a mission for children. TV is your colleagueready to talk to the puppets plusieurs, let her incarnate Arturo in Fire EagleAhead of the knowledge fair in Italy, via les émissions Solletico and etc. Gomma Piumaeven in Angleterre, through the series Isabel from the BBC.

In 2000, she participated in many popular Spanish TV series Telles Qu’.Great, New Street OU The past is tomorrowthen she is part of Mexico from a telenovela Wild Heart. In the world of Gitano Branco, the brand of the public and this name aux TV&Novelas in the category of the best male revelation.

You can after participation Full of lovehe explodes in Mexico at the country’s film premiere, We, the noble onesin 2011. Two years later, the film collected 7 million viewers in Latin America at the local box office. This comedy film with 327 million box office receipts, écornant la noble deviation from the second film, plus the profitable history of Mexican cinema.

In the first half of 2010, she learned about new successes in the Spanish series Lord of the Skies Season 2 OU Until the end of the world.

Emilia Perez This is a premiere film after the transition. This is a film that is in the spotlight and it cannot protect its social media.

“I had a hard time distinguishing this person from anyone else, like Emilia Perez. Pendant at the confidential Film Conference press conference. This is a beautiful person. I fell into an exorcism for Louis the Adieu.

(…)

When it was Jacques’ debut, he did not want Emilia to be for Emilia, for Manitas. On a large repeat, he worked with the ensemble cast. (…) This is a great shot that makes me Jacques, I thought that comedians have the opportunity to embody a character. I can debut to build a character for our discussions, in the essay of choice.

(…)

Jacques Audiard, I’m afraid I’ll have to go somewhere, I want to tell you what to sort: I won’t speak Spanish, I won’t speak French… But I’m surprised, I know I should have chosen in advance Forest Brothers Sisters with English-speaking comedians, Joaquin Phoenix, Jake Gyllenhaal…

(…)

When I made a coup de fil to be offered a casting that required me to learn a chanson, I thought, “I don’t like the name of the person for the role. I’m not a chanteuse, moi! (laughs) I do well to do what I love, Finalement.”

“You know, transgender people are normal people, at-elle finally confirmed lors de ce Panel, explaining that it is an insult, a blessing on the identity of the son. Elle remercie une fois encore Jacques Audiard for this role of the fort, which tore the propeller from the career.

After I went through the details to show that it was important for the film to be shot in Mexico, and when he addressed the dramas that touched the board, pay attention to feminicides, Audiard went down to the point where the production of a film is a hard work team

“I want the cinema to not go to hell, explain-il. “I’m not criticizing the co-scriptwriters, but I can talk to the actresses, the actors… I’m a solitary fool, a misanthrope, but cinema can no longer be collective.”

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Cannes 2024: With Emilia Perez and Jacques Audiard Competition Review (Criticism)