For extravagance on the computer with Lana Del Rey, do not mount branches on a robe holding a tulle veil in the form of a canopy on the auntie. Our rapper Cardi B, don’t train new porters in tuxedos. It is compared to a “black rose”.
Avec le “Jardin du Temps” – inspiration, celebrities set aside on Lundy at the Metropolitan Museum of Art gala, New York’s indelible event on the Croise of fashion, popular culture and philanthropy. The Met Gala’s mission is to fund the prestigious museum’s Costume Institute department. The New York Times put the dinner at $75,000 a year, the whole table at $350,000, and the previous edition at $22 million.
Zendaya, 27, and Bad Bunny, 30, co-presidents the evening in the company of Jennifer Lopez, Marvel film actor Chris Hemsworth and the great beauty of the evening, Vogue chef Anna Wintour.
Avec pour theme les “beautiful bedrooms”, and as a code ropaire le “Jardin du temps”, an allusion to science fiction writer J. G. Ballard’s new book on ephemeral beauty, les Creations ont Mis l’accent sur la Nature.
Les fleurs etaient partout. Brodées, dans les forms des ruffles, sur les traines des robes, en Decorations, on les a vue sur l’actrice Uma Thurman, rapper Nicki Minaj, singers Erykah Badu, Camila Cabello, or the French-language artist la plus écoutee au monde, Aya Nakamura , platinum blonde, shiny and sensual dress.
During the evening, several hundred pro-Palestinian protesters occupy the famous 5th Avenue or dress up in the museum shouting “Long live Palestine.” Police, who were arresting more people at a distance behind barriers, confirmed the presence to AFP journalists.
Derrière d’autres barriers, des centaines des tentaients d’entrapercevoir les célébrités. Some confidence probably stems from Rihanna, one of the most watched, who doesn’t watch.
Tapis is also violated by the TikTok patron of the Tzu Chu Show, not only by the use of ultra-popular videos even among young people, but also by the appearance of American authorities sponsoring the evening.
I received my technological profit this year from the “réveiller” ses “beautiful endormes”, autrement dit les parts les précieuses, originals et parfois of fragile things from 33,000 extraordinary funds and accessories racontant plusieurs siècles d’histoire de la mode.
This robe in satin or embroidery and mousse embellishment from the house is worth something that may not be a plus in clothing on a mannequin. The 1887 piece is mounted on a plate, but it is also recreated as unfolded Synthèse and Revit wheels in hologram form.
Au fil des Pieces, l’immersion se fait à travers les bruits, ceux d’une robe d’Alexander McQueen tout en coquillages, dont les sons ont été recreées. But also through aromas, like the cells of menthol cigarettes, exuding the cap of the twentieth century environment. Pour into parvenir odorant molecules, which are isolated, and are converted into an extraction process and reproduced in test tubes that can be reasonable for visitors.
The museum also collaborated with artificial intelligence specialist OpenAI to allow visitors to converse with the world of 20th-century New York, Natalie Potter, impressively attired in the traine cathédrale qu’elle portait, le jour de They married on December 4, 1930.
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