Categories: Entertainment

Zendaya Recreates the Identity of Venus and Serena Williams’ 1998 Vogue Issue

Zendaya pictured in April 2024.
Capture d’écran @luxurylaw

Même decor, même tenue, même coiffure: it will be on sale on April 19, presented by the stylist Lo Roche, as well as photographs of a comedienne enjoying a session, a photo of two tennis icons for the magazine la couverture du. Fashionin May 1998.

Zendaya is on the poster now. ContendersLuca Guadagnino’s new filmCall me by your name), which will be released on April 24 in France. A work that explores the story of a love triangle in the world of competitive tennis. In this title, the catwalk actress depuis plusieurs walked around the world for several days to promote her co-stars, Mike Feist and Josh O’Connor. In a marathon where there is fashion and cinema, women with their signature looks play tennis with pleasure every day. On the descent of your Loewe shoes with heels in the form of yellow balls, avant-garde premiere on April 8 in Rome.

When Zendaya throws the ball back at Jonathan Anderson: Red Carpet Marathon Mode

This time the actress is participating in the series Euphoria in honor of two tennis icons, sisters Venus and Serena Williams. Sur des photos partagees vendredi April 19, stylist Law Roach, on his discovery of a huge robe from the ball à rayures blanches et noires, hiding an iconic image paired with Richard Williams’s girls in the style of couverture de Fashionin 1998. Les créations de ces dernières étaient signées par la griffe Carolina Herrera, comme le présis. Page six

. Outre la tenue, Zendaya port-sur-se-nouveau portrait la même coiffure que les deux soeurs: des tresses de perles blanches. The scene is identical to the original.
Venus and Serena Williams for Vogue magazine, 1998.
Screen capture on Instagram

After Law’s publication, Roach wrote a tribute to his two sisters: “Une ode aux grandes @venuswilliams et @serenawilliams! Nous vous remercions pour tout ce que vous avez fait! Avec amour, Z (by Zendaya) and Law. Know that the original cliche was captured in the great photograph of Annie Leibovitz, presented at the Academy of Fine Arts in March 2008.

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