Etais-je vraiment maître de mes decisions? Mon bonheur est-il factice?”

Chaz Todd Haynes, Women Don’t Go to MeToo to Challenge Norms and Authorize People Who Want to Pass. After loving lesbians in America in the fifties Carol you’re having an interracial affair with Loin du paradise Egalement ancré dans les années 1950, le realisateur american raconte deux femmes insaisissables à lamoral “glissante” dans May December. The premiere, the actress in which she is sassy (Natalie Portman), is ready for the second, when she acts as a translator. And yet, this woman (Julianne Moore) is condemned by justice and society for the son of love between a teenager, a child, the son of Marie and the father of his children. This story, inspired by the case of Mary Kay Letourneau, is available for the play by Todd Haynes: the postulate of transgression, two impossible heroines in the category and subtext in cinema, the world of notre socium.

Australian liraNatalie Portman wears a sexy dress in Los Angeles: but what does it deliver?

Madame Figaro. – This project was introduced to you by Natalie Portman, who produced it. Comment l’avez-vous rendu staff?
Todd Haynes. – The connection is available immediately. If you describe a scenario, I implement a combination of relationships between these characters that seem moral to me. As the story progresses, the sun is broken by our feet: my respect for the state, which never ceases to challenge the relationship in miroir between these women, the rupture of the epos due to the illegal act of the sons, the emancipation of the garçon, who begins to ask for the consent of his son… Please allow me to send to to you from my co-star so that he can suggest a mise-en-scène that will allow the viewer to feel the problem.

Is this era in which one does not need to know the advantages of nuances an important reminder of the center?
In an era where this name and what I know about Chacun identity, what this story most raises is the question of this natural tendency. It’s a gray area in which I have more, in which I have more for Natalie, and in which I have to pitch the project to Julianne Moore, who has been this monolithic, gooey character all along.

Natalie Portman plays Elizabeth, a borderline actress. Est-elle le reflet de ce que que vous pensez des comédiennes?
Pas du Tout, même s’il est vrai que ce métier, Met l’ego à rough and can be fragile. Since I found a correspondence with reality, there is disappointment that I cannot figure out the autocan. If the images of the son can be complex: in this case, Elizabeth becomes famous in a very popular series and strives for other artistic achievements. C’est quelque chose d’assez Commun for artists, but in real life I don’t know how Elizabeth, se moque d’abîmer les autres pour arrival in his fins.

This is your peace effect between your heroines. Fallait, are there any similarities between you actresses?
Natalie and Julianne are very different in reality, but their actions do not contradict each other. Plus a movie preview, plus Natalie loves her character and Julianne’s bonding. In the tournament debut, Julianne and my friends worked for the son character, for the face, for the conversation, for the booger… Forts markers do not wait for a kiss for the adoptive parent on the son tour. By participating in this, I achieved the effect of a mirage of the film’s visual manifesto. My characters do not see others and observe them. I am happy about this idea in the mise-en-scène and directing the actors.

Natalie and Julianne are actually as different as their performances when they’re opposites.

Todd Haynes

Are your films worlds you love?
Ils sont le miroir d’un langage Social. J’espere qu’ils reflètent le monde dans lequel nous vivons, with these codes, ses interdits, sa moral… J’essaie de gratter pour dépasser ce que l’on voit à la Surface, pour sortir des archétypes, quitte parfois à créer le malaise. Je veux rendre Compte de Realités Multiples, offering other possibilities, questions the acquis. At the end of the day, I also want to represent women in all their complexities. And I challenged myself with this film. Currently, my heroines, plus trials and liabilities, live with desire and face difficulties in fidelity in the inner world. There are three different things in this film: a motor is a motor and men desire.

What do you think about the relationship between Julianne Moore’s characters and her son, who are convicted of justice and morality?
But the car is what the film gives up at the fair, and that’s what I’m looking forward to, and it’s really interesting. Je peux vous parler de la complexité de leur lien, de leur bonheur qui peut-être n’est qu’illusoire, du malaise que cette histoire provoque, mais je veux éviter tout jugementmoral. The film tends to touch on all the questions we dismiss when faced with the choices we make in life: sont-ils les bons? Etais-je vraiment maître de mes decisions? Mon bonheur est-il factice? …

Do you feel this desire to meet women, film after film?
The Place of Women in Society is a political topic that interests me passionately. I’m generating the feminist theories I studied at university that have permeated the art world and influenced the queer theories I know later this Friday. La Façon Dont les Femmes Sont Tour à Tour Perçues Comme Objet et Sujet M’Intéresse depuis Toujours: les hommes s’arrogent le droit d’en faire Leur Object de Desir et de Soumission, and, paradoxically, the font repository sur leurs seules épaules l “A huge responsibility for keeping a family and a couple afloat, for saving children… Most active and powerful imaginative people are in the home championship est encore difficile dans la société and, as a consequence, in fiction.” On the contrary, recits portés par les mentraent souvent d’évasion – physique or psychology – de mondes souterrains, de crime, autrement dit de liberté et de transressence. Les femmes doivent elles can also pretend in life, as on the screens.

May DecemberTodd Haynes, with Julianne Moore, Natalie Portman, Charles Melton… On sale January 24.