May December: Commentary on the film with Natalie Portman and Julianne Moore on tour? – Actus Sine

What are you saying?

To prepare for the new role, the famous actress met with a whole girl who was embodied on the screen, not a sentimental life, inflamed by the scandalous and passionate press, she pays 20 plus the total amount.

This is one of the greatest names in independent American cinema, the creator of such iconic films as “Velvet Goldmine”, “Loin du paradis” or “Carol Encore”…

Todd Haynes, who will in the future be honored with a major retrospective at the Pompidou Center on the occasion of the New Year as a result of long entertainment, is in fact a newcomer with a May-December elimination in the Cannes 2023 competition. You have agreed to entertainment at AlloCiné.

AlloCiné: May December is interesting because it deals with issues related to attention. This is entremêlement, une mise en abyme de respect. This is one of the cases defined in your image in the scene of this story. Pouvez-vous nous en parler?

Todd Haynes: Il s’agissait de trouver une voix à travers la camera et en tant que movie pour restituer ce que j’ai ressenti lorsque j’ai lu ce ce cenario. And you were waiting to choose, and you would go the distance in the script or in your interrogations, about your thoughts.

I am Elizabeth Berry’s (Natalie Portman) character, and she is the one who comes into this story. He says: Je peux lui faire Confance. And then I won’t be able to gain trust. Ainsi, you continue to enjoy your level of confidence and investment in a person to interact with others, your type of moral structure. The assumptions you’re making, in terms of moral behavior, are déplaces, déséquilibrés… And that’s exactly what I love about this scenario. (signed by Sami Burch, casting guide, which states that this is a premiere set for long films, Ndlr.). It’s your spirit and caustic humor.

In the film we have a privileged observer position.

In my room, I need the camera to not take up space, as well as space on the board, the range of action, and what we feel in the observer position. And where the mirror and scenes with mirrors become a very important motif throughout the film. You seem to be considering an actress who views herself in her gaze, and an essayer de correspondent who voyait sur une photo or le sujet reel qui se trouve à côté d’elle dans le miraroir.

And you can observe the relationship of Natalie (Portman), who treats the object as if she is était elle-même. She looks at Julianne (Moore) through the lens. Julianne treats the object as she does and considers Natalie to be outside the object.

I expect a constant rebound towards us, the audience, Pouvions voir. We prefer this position as a privileged observer, but we are also en dehors. This is a big part of what motivates long hours of viewing: the camera is held and the address is straight to the subject.

Did you see the opportunity to meet Mary Kay Letourneau, isn’t the movie inspiring?

No N. We maintained a creative distance with this story. Mary Kay Letourneau is released before we have any comments on the film. When there was a scene for the premiere, it was clearly a Mary Kay Letourneau story. My favorite part is that Sami Birch chose to differentiate it from its origins. I am very interested in the idea of ​​an honest essay about trust and the differences between the two.

We now have creative distance from Mary Kay Letourneau’s story.

Sami (Birch) originally began his stage in Camden, Maine, in the northern United States. Lorsque nous Avons has finally found a common touring calendar with the actresses: for autumn 2022, il faisait trop froid pour Tourner à Camden, dans le Maine, surtout au mois de mai. The film doesn’t come out on time. Now I started thinking about Savannah. This place was created for us, plus and plus, interesting, strange and special. We can also distinguish the story of Mary Kay Letourneau.

I prefer that you have a real experience that artificial intelligence (IA) is a threat to the refuge of artists, the best writers and actors among third parties, and that it is for them the Reasons for the long sadness in Hollywood. What is your position on this issue?

I don’t know how the staff is if they are paralyzed due to provoked anxiety in IA. It seems that j’ai beaucoup d’espoir sur la façon dont elle pourrait aider la science et la recherche Médicale, for example. I don’t see a direct threat to creativity, the creative spirit. I didn’t think a computer could easily replace the creative process. Creation exists because of mistakes and disorders. This means that the computer cannot be created.

He needs a formula for a fair blockbuster parfait for a reporter made of silver, Hollywood is a waiting accomplishment

In Hollywood, I always look forward to parfait from a movie, and this is after all his debuts, after the anniversary of 1910, this was the debut film. You need a blockbuster parfait formula for a silver reporter in order to make him happy. There is no function like this. You cannot proceed as described above. Everything will come by chance.

Other stories I love when you are… Barbie! Today you shot an encore film with Barbie, and here’s the premiere…

The reason the film wasn’t made is because it’s interdit because we don’t have the rights to the music, the carpenter songs that are in the film. The film is not released legally and is being distributed. More is the Gift of a Superstar: The Karen Carpenter Story – Aura and Prowess Underground.

Pour le voir, il Fallait faire distributes VHS copies sous le manteau

For viewing, for filtering, for distributing VHS copies in the open air. I became a member of my book author “Superstar”. It wasn’t clear from my intention, but it was a contribution to the choices of personnel and personalities in the film. Cela lui is not a cult law.

This film, by and large, marks the debut of my career. It covered all the themes that I continued to explore during the encore, and with heavenly eyes in the film itself.

It’s part of being a hero, it’s so bad for a serious villain, it’s part of celebrity and pop culture. Part of music, success and at a time when it is difficult, especially when you are a woman. And it is the stylistic approach in fashion, to which the story has nothing to do, that makes the film different from other biopics. Just the number of looks, it’s a lot of choices that I keep making live, all in one movie.

Offers in Paris, September 12, 2023

May December, Todd Haynes’ 10th feature film, will be released in France on January 24, 2018. Starring Julianne Moore, Natalie Portman and Charles Melton. To prepare for the new role, the famous actress met with a whole girl who was embodied on the screen, not a sentimental life, inflamed by the scandalous and passionate press, she pays 20 plus the total amount.